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Legendary Author Dan Poynter Passes Away

World-renowned author and skydiver Dan Poynter (D-454) passed away peacefully yesterday after recently being diagnosed with Acute Myeloid Leukemia and Renal Failure. While Dan may no longer be with us, his writings and the connections he formed within the skydiving community will ensure his legacy is kept alive for a long time to come. He will be remembered not only for his books, which span more than 35 years and include more than 120 titles, but also for his attitude which drove his success.
Dan's career began with the management of a parachute company in California, after which he became more involved with the design aspect of parachutes and became a design specialist. An active and skilled skydiver, Dan began to write about his knowledge of the sport with a seemingly unrivaled knowledge, specifically with regards to equipment. In 1972 he released "The Parachute Manual—A Technical Treatise on the Parachute", which is often seen as one of the leading early publications on skydiving gear.
In 1978 Dan released the original copy of "Parachuting: The Skydiver's Handbook" - a book that has been seen by many as one of the cornerstones of skydiving literature. Unlike some of Dan's other work which was focused more on the technical aspects and aimed towards riggers, The Skydiver's Handbook brought to the table a collection of extremely valuable information and advice for all skydivers, from those just beginning their journey to those who already have several thousand jumps. Dan's publications were not limited to his self-published books either, and his column in Parachutist magazine was always thoroughly enjoyed by many.
Dan developed a keen interest in hang gliding as well, which lead him to write the book "Hang Gliding" which became a bestseller with over 130 000 copies sold and remains one of Dan's most recognized works.
The fact that Dan was writing on topics with a smaller audience posed challenges for the writer, who realized his best option in the distribution of his work was to self-publish. Dan established 'Para Publishing', where he would spend years being the sole driving force of the company. Writing, publishing, promotion and even shipping was all handled by Dan, despite the numerous copies being sold.
His determination and drive in the management of Para Publishing lead him to write a book on his experience, "The Self-Publishing Manual". It also lead to him becoming a well known motivational speaker.
Dan Poynter had always been ahead of his time, from his early technical books on skydiving equipment right through to his methods of book distribution. In 1996 Dan was already selling information products from his website, something that would only become common place years later.
His achievements both in publishing and in skydiving will not soon be forgotten, with both his work and countless awards testament to the impact he had on skydivers around the world.

By admin, in News,

John Willsey obits

Started jumping with John Willsey in 1972 at various Arizona DZs after getting my D at Elsinore in 68. We made the first 23 way at Casa Grande in 73. He came to it me on Maui about 12 yrs ago. Never was a nicer guy. Just heard about death Oct 30, 2015.
Anyone with details can e-mail me at [email protected]

By uspad2410, in News,

Safety in the Sky: A Skydiver’s Defense

The world of skydiving offers those who choose to take the leap of faith a rush like non-other. The sport has grown far beyond anything its pioneers could have ever imagined. This growth has raised the demand for the establishment of advanced safety protocols in drop zones around the world. Container systems, main and reserve parachutes and basic safety procedures have all made this sport safer for all its users. One particular invention however, stands out above the rest and it is the automatic activation device or AAD for short.
An AAD is a small, technically advanced device which activates a cutter that severs the reserve closing loop when the user is falling at or greater than a predetermined speed (roughly 78 MPH) and at or lower than a predetermined altitude (roughly 750 feet AGL). The device is equipped with a small computer designed to compute the skydiver’s speed of travel by using the surrounding air pressure. AADs have been common to skydivers for decades but recent years have brought about amazing change to this industry.
CYPRES and Vigil AADs have become two of the leading manufacturers of AADs in recent years. When turned on, the AADs computer chip uses an advanced pressure monitoring system to determine a skydiver’s altitude and fall rate. If a skydiver passes the predetermined altitude at a faster than predetermined fall rate, the system sends a signal to a small cutter built into the parachute’s container. Once activated the cutter severs the reserve line retaining pin, causing the reserve chute to immediately deploy. Essentially, both CYPRES and Vigil AADs are meant to perform in very similar ways. Historically, each company has built and fine-tuned their respective devices to fit various disciplines in the sport.
Cypres 2 AAD CYPRES which is short for Cybernetic Parachute Release System was developed by AirTec, a German company founded in 1990. Company founder Helmut Cloth decided to replace the old and faulty technology for opening devices of the time with a more reliable device. The result was revolutionary: the first CYPRES was ready in 1991 and became the first electronic opening device in the skydiving world. Shortly after hitting the market the CYPRES AAD sales grew to nearly 5,000 units per year. Developers continued working hard on making sure all the feedback from its users was implemented into their new products. In a little over a decade, CYPRES AAD sales rocketed to over 80,000 units. Airtec saw the overwhelming demand for their product and in 2007 developed the CYPRES 2. Within two years the CYPRES 2 broke the magic barrier of 50,000 units sold. The successes and reliability of the CYPRES 1 and 2 were celebrated throughout drop zones worldwide in 2011 during CYPRES’ 20 year anniversary. Since then the company has continued to provide a great piece of equipment with the backing of thousands of saved lives all over the world (CYPRES, 2014).
The Vigil AAD shares many similarities to its competitor and was also designed to add a wider range of safety measures for skydivers. Nearly a decade after CYPRES’ great successes, Vigil was introduced. Immediately after being marketed the Vigil began flying off the shelves in record numbers. Designed by the Belgium company Advanced Aerospace Designs in 1999, the Vigil AAD system offered its users unique patented features. Features such as: a patented cutter device (circular knife) that cuts the reserve loop twice, water resistant technology, and a multimode option which allows for three different modes: PRO – STUDENT – TANDEM, all make the Vigil unique. These features make the Vigil a highly sought after piece of equipment for skydivers of all disciplines but even more so by drop zone management staff wanting to use one AAD for multiple modes of operations. In addition to calculating a skydiver’s rate of travel by using the surrounding air pressure, Vigil also uses an additional activation technique. Once the door opens and you leave the airplane, the Vigil AAD will calculate the time left over before reaching the activation altitude (Vigil, 2014). Since its appearance, the Vigil has sold upwards of 70,000 units and continues to increase sales annually.
Vigil AAD Aside from their successes, the overarching factor in this equation is the consumer, as is in any supply-demand industry. The initial cost of purchasing an AAD unit is about the same, approximately $1,400. Many consumers view this as a steep price to pay especially when also calculating the maintenance costs throughout the lifecycle of an AAD. The additional cost of ownership includes battery replacement and scheduled maintenance, which calculates to be roughly $75 per year. The Vigil AAD claims to have a 20 year lifespan with no mandatory service requirements. The CYPRES AAD, however, is said to have a 12.5 year life expectancy with required maintenance at the four and eight year marks after activation. Many skydivers take these two factors well into consideration before committing to any purchase.
Thankfully the CYPRES and Vigil AADs are readily available to ship to locations worldwide. The ease and effortlessness involved with purchasing an AAD makes it very convenient for anyone in the market for one. The decision of which one is the better choice is strictly up to the buyer’s personal preference and skill level. Both CYPRES and Vigil have been tried and proven over many years and thousands of documented lives saved. All in all, the sport is lucky that jumpers have a good choice of automatic activation devices. Few jumpers wore them before they came to their present level of accuracy and reliability, and members of the gray-haired set who still remember friends they lost when no-pulls/low-pulls dominated the fatality reports will mostly agree that the added cost of skydiving due to AADs has been worth it (Parachutist, 2010).
Thanks for reading,
Blue Skies!

By EMarte21, in Gear,

Squirrel Releases C-Race For Advanced Pilots

Over the past two years, the Squirrel R&D; Team have been working hard on high performance wingsuits for competitive events. Their focus on this segment of the sport began when the first edition of the RedBull ACES was being put together for 2014. It happened to coincide with Squirrel’s development timeline on the Colugo 2, and it provided the team with an excellent opportunity to test the final prototypes against the fastest suits on the market, being flown by the best pilots in the world. In 2014, Andy Farrington won the ACES event flying a race prototype that included a lot of features that went on to become the C2.
The Squirrel team say that development is a constant. As soon as the C2 was released, efforts began on creating a higher performance race suit that could be used by team pilots in the next ACES event, and other competitive wingsuit competitions. Mainly Squirrel had their eye on ACES 2015. But with the first US Wingsuit Nationals being announced, and the 2015 WWL planned for October, there was more than one reason to redouble efforts on the C-RACE development.
The first C-RACE suits that were delivered to pilots outside of Squirrel’s headquarters in WA state, USA, went to a few pilots attending the US Nationals. Only a few suits were delivered to pilots going to the event, but 4 of them made the top 10, including Noah Bahnson and Chris Geiler, who took 2nd and 3rd respectively. The C-RACE is considerably smaller in surface area than the designs that have traditionally done well in the PPC format, and the significance of this size difference is important. For a suit with so much less surface to be competing so well in the PPC spoke to its speed and efficiency. Squirrel focused on profile efficiency and stability at high speeds, instead of increasing surface to score well in the time and distance tasks.
Next came the WWL wingsuit race in China. The final podium saw Noah Bahnson in first overall, and Julian Boulle in second. Both were flying the C-RACE and had fought their way through multiple heats against the Phoenix Fly team pilots at the event, who were flying a clearly excellent new race suit, and flying it well. Relative newcomer, Nathan Jones, impressively took 3rd place flying his Phoenix Fly suit in this event.
Of all the wingsuit races in the world, only one involves a mile-long slalom course involving 4000 vertical feet of turns, dives, and straightaways. RedBull ACES truly encompasses every aspect of wingsuit flight, and is an incredibly dynamic and challenging environment. Furthermore, it is the only 4-cross event, allowing multiple pilots to race head-to-head, offering the best chances of a fair result (in contrast, PPC competition runs necessarily take place with jumpers flying solo, through different wind patterns and conditions and often at different times, making truly accurate comparisons impossible). Because of this, the 2015 ACES event was the most important to Squirrel. The team made efforts to support as many of the invited pilots as possible, and trained relentlessly for this type of competition – the mission was all-out speed, with precise agility. Four pilots diving through slalom gates that are suspended from helicopters and held taught by 150lb steel weights is not a situation to take lightly. It was critical to design a suit that would not only allow team pilots to overtake everything else, but also maintain agility and precision through a course full of very real hazards.
In the end, the C-RACE prevailed. Only C-RACE pilots made the final, sweeping the podium. 28 out of the 40 invited pilots at the event were flying C-RACEs. Andy Farrington defended his title as top ACE, Noah Bahnson took second flying the same suit that he flew to podium finishes in Chicago and China a few weeks before, and Matt Gerdes, co-founder of Squirrel and co-designer of the C-RACE, placed third. All three podium finishers were also flying the Squirrel EPICENE main parachute, which was by far the most popular parachute at the race.
Squirrel says that the C-RACE is available to qualified pilots only, and the design will evolve slowly over the course of 2016. Design features that are tested in the C-RACE will (and have already) trickle down to the other suits in their range.

By admin, in News,

Propeller Safety For Skydivers Who Want To Live

How Not To Become Dog Food Like That Indiana Jones Guy
Image by Lukasz SzymanskiRemember that scene in Raiders of the Lost Ark? Indiana Jones is on an active airfield. He’s duking it out with a bald, mustachioed, wall-of-meat Nazi, and he’s kinda losing. Finally, he manages to distract the dude with his puny, tickly little punches until a propeller can chop his shiny evilness into dog food.
And we cheer, and we laugh. Because ha! That guy was so stupid, he didn’t even see that propeller. Hilarious.
Well, my friends -- we could all easily be that bald, mustachioed, wall-of-meat Nazi if we’re not careful.
We’re around propellers all the time, after all. We’re accustomed to hearing and feeling them -- so much so that they’re almost invisible. Statistically, we’re in their immediate presence enough for the risk to be proportionately higher than it is for someone who’s rarely on an active airfield. So: here’s your game plan.
Always sneak up on fixed-wing aircraft from behind.
Props are located in on the fronts of fixed-wing aircraft -- either on the nose or on the fronts of the wings themselves -- so always approach a fixed-wing aircraft from well behind the wing. Teach yourself to do this every time, whether or not the plane is running. This will lessen the chance of you bumbling into the “fool processor” with a boogie beer in-hand.
Always stare helicopters in the face. (Kinda.)
Helicopters don’t like to be snuck-up-on. Think about it like you’re establishing dominance -- always approach helicopters from the side-front, where the pilot can see you. (The real reason for this is the danger posed by the rear rotor, but -- if you think about it -- helicopters kinda have faces you can stare down.) The rule of thumb is to stay in front of the boarding door, never behind it, and not directly in front of the helicopter where it tips during takeoff.
Never chat with the pilot from outside the plane.
Have manifest radio them with information, or -- if you must -- do the annoying half-gesture, half-shout thing inside the cabin. They probably don’t want to talk to you, anyway.
Never touch a propeller unless you’re filling out a timecard to do it.
Touching a propeller is like sticking your hand into a beehive. You may or may not get stung, but it’s an inarguably dumb idea. Even if the plane is tucked in for the night, it’s not okay to saunter up to a propeller and stroke, push, spin, crank, pull, lean, poke, lick or fistbump it. They’re heavy, sharp and kinda unpredictable, especially if you’ve been drinking (which you probably have been). Just leave it alone.
Don’t take the shortcut.
Is the shortest distance from the LZ to the hangar a straight shot through the loading zone (or any other aircraft operating area)? Do the right thing and walk around it. If you start cutting through the no-walk zone to save a couple of minutes, your fellow jumpers, students and spectators will likely follow suit. Restricted areas aren’t restricted unless it’s hot and you’re tired and you double-manifested, and you -- or someone who waddles along after you -- might pay a high price for the choice.
Don’t wave your hands in the air like you just don’t care on a heli huck.
...until you’re either hanging from the helicopter strut, safely landed, or mugging for a freefall photo you’ll be embarrassed about later. There are spinning scimitars up there while you’re exiting, dude.
Do your part to muddy up the gene pool.
Especially on crowded weekend days, boogies, demo events and any other place that more than two mouthbreathers are gathered in the name of skydiving, you are going to witness stupidity. If you see one of the horde wandering cow-faced towards the propellers -- almost always, led by a GoPro or smartphone -- please grab them, divert them and ask them nicely not to procreate as you lead them gently behind the signs they’ve so blithely ignored.
Maybe remind them of the bald, mustachioed, wall-of-meat Nazi guy who became dog food. (Everybody remembers that part.)

By nettenette, in General,

Wing-loading and Parachute Performance

Image by Brian Buckland It is common knowledge that wing-loading has profound effects on the way parachutes perform. Furthermore, it appears that even if the wing-loading is exactly the same between two otherwise identical parachutes, different size canopies fly quite differently. In other words, if you fly a 210 square foot parachute of a given design with lots of additional weight to achieve a loading of say, one pound per square foot, a 150 at the exact same wing-loading will usually have a steeper glide ratio, faster turns, and demonstrate a longer recovery arc following a high airspeed maneuver. This means that, regardless of the wing-loading, all small canopies are high performance, and should be treated accordingly. There are many explanations for this non-linear relationship, and in this article I will discuss some of the most significant governing variables.
Test flight data shows us that small wings, regardless of wing-loading, will be more radical than their larger counterparts, all other design aspects being equal, however the degree to which they are different depends of the model of the canopy. Nevertheless, the trend is consistent and predictable. The most common explanation for these differences is that it is due to differences in line length. Smaller canopies do have shorter lines on the whole. Although it is true that some aspects of a parachute’s performance increases as line length reduces, this only applies to mobility about the roll, pitch and yaw axis. The effects on recovery arc tend to have the opposite response to line length. In other words, a parachute with longer lines tends to exhibit a longer recovery arc. To explain these counter-intuitive effects, we must look elsewhere for an explanation.
The other aspect, previously unconsidered, is the relationship of the canopy's internal volume to its surface area. Essentially, the volume displaced by the airfoil can be thought of as a key aspect of the overall DRAG. Of course the shape of the wing itself is vitally relevant to the drag coefficient, but for the purposes of this discussion, let’s focus on the effects of drag from the perspective of simple air displacement, like a footprint in the sky. The fatter the airfoil, the more drag it will exhibit. This means that a “fat” parachute will sit at a higher angle of attack in full flight, based on the balance of power between the airfoil's drag (D1) and that of the suspended load, the jumper (D2). Further, the drag value of a “fat” airfoil will increase markedly with airspeed, and therefore large objects will suffer more drag than “skinny” airfoils at high speed. The wing, therefore, will “want” to return to the overhead position more aggressively on fatter airfoils, as a general rule.
Let's take those aerodynamic principles to the realm of parachute sizing. When a parachute design is scaled, for the most part, the entire wing is scaled simultaneously. This is the same geometric progression as a matchbox car: same three dimensional proportions, but a different size. When we want to make a parachute larger, we simply multiply each dimension by a “scale factor”, a single number that will result in the size change we desire.
When we apply this mathematical model to parachute designs, we create an unwanted effect: disproportionate scale factors relating to area and volume. Simply put, the number we use to scale the parachute is based on the "square footage" of the wing, and this is of course, a square function (X²). The volume on the other hand, is governed by a cube function, (X³). This means that when we increase the height of the rib at the same rate as the span and the chord, we inadvertently make the wing too fat as we scale upwards, and too thin when we scale down. This is one of the reasons why a 120 flies very differently than a 170, even at the exact same wing-loading and body drag component. The wings only appear to be the same, but they are most decidedly not the same from a volumetric perspective.
So, one might say, why don't we make the height of the airfoil on smaller wings greater, and that of larger wings smaller, proportionately? This is sometimes done and it works to a certain degree. However, if we were to search for a formula that would allow us to scale the volume at the same rate as the area, we would have to keep the rib height the same on all sizes of a design. I worked this out with a brilliant Tasmanian mathematician on flight back from Sydney many years ago. A 120 with the same rib as a 190? That doesn't quite pass the gut check, does it? Only the middle sizes would fly right, and beyond a few degrees of freedom, the system would collapse into chaos, because the fat little wings would have too much drag to be efficient and the big wings would have too little lift to land well, and would be prone to collapse in turbulence due to their flimsy nature by virtue of their low volume. A simple answer does not appear to exist, at least not yet.
The heart of the problem is the fact that our industry has grown accustomed to the use of "pounds per square foot" as our way of quantifying parachute size. This leads to the erroneous belief that a given "wing-loading" will result in similar performance for all parachutes regardless of size. This is most certainly not the case, and is dangerously misleading for light weight jumpers striving for that magical one pound per square foot wing-loading. A 120 is inappropriate for someone with less than 100 jumps no matter how much they weigh. So, what do we do? Firstly, we honor the differences in parachute sizes, and downsize very carefully. We make our steps downward based on actual ability and frequency of jumping, and we look for any excuse we can to upsize. In addition to remaining conservative with regards to canopy size, we must go to greater lengths to understand the nature of performance and size.
If it is true that performance trends do not appear linear with regards to parachute size, then perhaps the solution is a curved ruler. To that end, I have offered a complex sizing chart to the world that reflects the non-linear nature of parachute sizing and performance for the purpose of downsizing guidance. This easy-to-operate chart has been adopted by many national organizations and local dropzones as the official guidelines for parachute size relative to experience. Born from a brilliant but arguably conservative Swedish chart created by my good friend and colleague, Ola Jameson, who was the Head of Safety (Riksinstructor) for the SFF at the time. My somewhat less conservative version of the “sizing chart” offers suggestions for parachute size relative to weight, rather than simple wing-loading alone as the defining factor. This allows the recommended parachute size for a heavy person to be a higher wing-loading than that which is suggested for a lighter person. It is available HERE.
The sizing chart does not suggest when the jumper should downsize, but rather limits the degree to which they should decrease their parachute size based on the complex aerodynamic principles effected by wing geometry. The "chart trap" is always a risk with such things, when jumpers automatically step down in size because the chart suggests that a change is reasonable. Decisions based on parachute size and design should always be made based on the actual ability of the jumper, and the other governing factors described in the 22 pages of modifying text that follow the chart.
Another consideration I will now put forth to the skydiving community is a fundamental change to the way we define parachute size. Based on the discussion above, a two-dimensional analysis is insufficient to describe what a parachute will do in the sky, and "pounds per square foot" is a very limited 2-D relationship. I suggest that a better model for parachute size definition is Pounds (or kilos) per Cubic foot (or cubic meter). The metric numbers would be far easier to work, if we can get the Yanks and Brits to let go of the Imperial system; but we have to pick our battles, don't we. By using lbs/ft³, we will effectively remove the 2-D bias from the "ruler" as it were, and make the relevant differences more numerically obvious. It may sound like a radical idea at first, but so was the ram air canopy when that showed up, but look how well that worked out. Just because a change is difficult does not make it less necessary.
In the interest of moving this new paradigm forward, and in the spirit of the immortal words of Mahatma Gandhi, I will be the change I wish to see in the world. Here are the volumes of my parachutes. It is my hope that other manufacturers will follow suit, in the interest of transparency of our parachutes’ designs, for the good of the skydiving public.
The topic of parachute performance prediction is vast, and must continue to be discussed in scientific terms. We must do this because, as one of the few (mostly) self-governing branches of aviation, we are the only true experts in our field. We are the ones who must think outside the old box of established paradigms, and change when change is necessary. We will continue to improve our sport in every way, simply because we love our sport so much that we want to know more, and grow more. The universal passion for knowledge exhibited throughout the skydiving community leads us to a very high level of mutual respect for our fellow jumpers. This precious commodity of solidarity is rare in this world, and we must allow that connection to lead us to always reach for safer procedures built on our ever-increasing understanding of that which saves our lives. Improvement in matters relating to safety is just love of life in motion, and love must be adaptable and smart if it is to last in a complex world. Again and again, skydivers prove to me that they are highly intelligent adventurers committed to safety, and very much worthy of my respect. We will adapt, and we will thrive.
About the Author: Brian Germain is a parachute designer, author, teacher, radio personality, keynote speaker with over 15,000 jumps, and has been an active skydiver for 30 years. He is the creator of the famed instructional video "No Sweat: Parachute Packing Made Easy", as well as the critically acclaimed book The Parachute and its Pilot. You can get more of Brian’s teaching at Adventure Wisdom, Big Air Sportz, Transcending Fear, and on his vast YouTube Channel

By admin, in Safety,

Highway To The Dangerzone

Image by Lukasz SzymanskiHeadin' into twilight

Spreadin' out her wings tonight

She got you jumpin' off the deck

And shovin' into overdrive...
When I was learning to wingsuit, I sang it in my helmet. Every time.
True story.
Anyway.
We can all agree that -- in addition to fun, of course -- skydiving is about pushing personal limits and building personal skillsets. We might also agree that skydiving is not necessarily about putting yourself directly in the path of actual mortal danger. There are inherent risks (and, if we’re being honest, we kinda love them), but we don’t love the idea of spending a couple of seasons healing up from a broken pelvis. Right? Right.
There are multiple danger zones in skydiving, and it’s actually something of an autobahn -- in that there are no posted speed limits to reach them. To put it another way: most of them exist as much for brand-new skydivers as well as battle-worn multiple national champions. As a skydiver, it’s important to take these just as seriously, no matter how much of a n00b or dropzone hero you might be.
Danger Zone 1: Meat-Based Collisions
If you’re not flying on proper level with a group, you’re officially in Danger Zone 1. Flying on level keeps you out of the broken-bone zone if a member of the group suddenly corks or prematurely deploys. It keeps you out of pesky burbles, and it helps you keep meaningful awareness of where everybody else is flying around you. Invest in the coaching that will help you get (and stay) on level in formations of any kind.
Also important: don’t just fly on level. Fly on-heading. Off-heading collisions hurt more than same-heading collisions. And never risk a 180-degree collision, even if you’re totally sure there’s nobody on your six -- it’s just not worth it.
Danger Zone 2: Nylon-Based Collisions
Once you’re dangling from your fabric, you have another danger zone to contend with: potentially crowded skies. According to the USPA, the most likely moments you’ll veer into oopsie territory here are:
a) right after deployment and

b) after entering the pattern.
Instead of putting yourself in a place where you’re nimbly avoiding (or tragically not-avoiding) other jumpers at close quarters, be smart about it. Break off from other jumpers with room to spare. Create horizontal and vertical distance from everybody else in the sky (including the guy who’s almost certainly lurking behind you). Finally, keep your head on a swivel -- especially during that troublesome base-to-final bit, where everybody will be trying their best to kill you.
Danger Zone 3: The Basement
The basement is the biggest, baddest danger zone there is. It is, after all, where the ground lives. The ground is a monster that’s just waiting for you to stop paying attention because it wants to eat you.
You’re going to enter this danger zone every time -- there’s no avoiding it. When you do enter it, you’re going to want to be under a canopy you’re controlling, over a landable bit of dirt, with a plan that accommodates as few obstacles as possible. This means that you must get that first canopy out at an altitude at which a second canopy is an option. It means that you must make sure that your equipment is maintained to prevent preemie brake releases. It means that you must either avoid or manage the hell out of low turns. And it means you’re going to need to know how to land that thing in water.
The ground is waiting for you to make a mistake -- and it’s hungry.
So, if you happen to be on the highway to the danger zone, try taking the next exit. Most people will indeed say hello to you, even if you never get it on the red line overload.
I promise.

By nettenette, in General,

Juan Mayer - Behind The Lens

Name: Juan Mayer

First Jump: 2000

Skydives: 10 000+

Helmet: Handmade

Cameras: Nikon (Photos), Sony & Panasonic (Video)

Container: neXgen (Aerodyne)

Canopy: Pilot 150

Reserve: Smart 150

AAD: Cypres

Wingsuit: Havok Carve

We recently had the pleasure of speaking with Juan Mayer, one of the most prominent skydive photographers of this decade. From his early skydiving career and his early days in photography to his recently published book.
DZ: After completing your skydiving course, how long was it before you decided that you'd want to focus on the photography aspect? Was photography something you had interest in prior to becoming a skydiver?
JM: When I started skydiving, the AFF course didn’t exist in Argentina. I started with the static line course using a reserve canopy mounted on the front. My first teacher, Mario “Perro” Rodriguez, was an amazing instructor! I did 4 static line jumps and the feeling was completely overwhelming. A year later, I came back and continued with the same instructor but this time doing tandems. It was like I discovered a completely different world to photograph and after doing only 70 skydives, I started using a video camera on my helmet. At that time the GoPros, or any of those super small cameras, didn’t exist yet, so it wasn’t that easy. I already knew that I wanted to do skydiving photography but the main reason I started taking videos was because after spending all my money on those 70 jumps, I really needed to find a way to continue skydiving. So, at the beginning I started offering my service as a videographer just for half of the price of my jump ticket.
DZ: What type of photography did you specialize in prior to skydiving photography, and were there aspects you had learned in those fields that allowed you to bring over into your approach to skydiving photography?
JM: I was mostly doing wedding photography. Well, the best thing about doing social photography is that it allows you to practice a lot with your camera, then you really get to learn many things about your equipment. With skydiving photography its harder because in freefall we don’t have a lot of time to play with the setups and different lenses. This is why I always recommend learning from other photographers, especially non-skydiving ones and the most important thing is to practice a lot and make a lot of mistakes. It will give you the skills to really know your camera equipment.
DZ: At what point did you notice that your photography could end up becoming a viable career for yourself?
JM: That's a really good question, its hard to pinpoint exactly when. The more people asked me for photos, the more it showed me how much they liked them. I then started travelling to countries close to Argentina for different skydiving events. This is when, after almost 15 years in the army, I challenged myself to take a year’s leave without salary, to see if I could pay my bills with skydiving alone. Unfortunately I wasn’t getting the same level of income as I did in the army, but it was enough to get by and it allowed me to continue skydiving. So I quit the army and decided to follow my dreams while making a living out of skydiving photography. But I still remember travelling for the first time outside of Argentina with only 57 jumps. I went to Deland in Florida, and came across the Book of Skydiving Photography by Norman Kent. I remember that moment vividly, loving every single picture I saw and it really confirmed to me what I wanted to do.
DZ: How did you go from jumping at Aeroclub Lobos in Argentina, to working for one of the largest and fastest growing dropzones in the world, Skydive Dubai?
JM: It was a very long process and it could take me hours to share all the places and moments (good and bad) I went through before I got my contract with Skydive Dubai. Basically, I was following my heart; doing what made me happy, travelling a lot, learning from other videographers and meeting many good people. Just a few anecdotes, I remember sending hundred of emails to every dropzone around the world asking for a job and one day while driving to Lobos in Argentina I got a call from New Zealand telling me that they needed me to work there, but I had to be there in a week. So, even without knowing basic English I sold my car and moved to New Zealand, a place with a totally different language to mine. I lived there for almost a year, which helped me learn English, not fluently, but enough to communicate with others.
I also remember going to Brazil to film different events where I met Craig Girard and asking him many times if I could film the AZ Challenge, which was a well known skydiving event at that time. After 3 years of asking I finally got an invitation as a one of the official cameramen, I really couldn’t believe it.
DZ: What are some of your most memorable jumps with the camera?
JM: I'm lucky, with so many years of skydiving, to have a lot of memorable jumps. But to choose a few of them, I will say, when I was filming one of my sisters doing her first tandem, it was a very special moment!
Another memorable jump was documenting an 88 way formation at the AZ Challenge. As I was filming, I watched it being completed and I really couldn’t believe I was there, as a part of that amazing event and capturing it all on camera!
And a more recent memorable jump, was in Dubai, when I filmed a skydiver that had an accident 7 years ago which left him in a wheelchair. Seeing his huge smile in freefall after 7 years of waiting for that moment was something incredibly rewarding, really hard to explain with words. I felt super lucky to be there with my cameras filming him in freefall, smiling for more than a minute nonstop!
Over the course of more than 15 years of skydiving, I’ve had a lot of memorable jumps, but this is just why I really love photography, because it allows you to capture those seconds, those special moments, forever!
DZ: Could you share with us, 3 of your favourite images that you've taken?



DZ: Are there any specific disciplines that you prefer to photograph and if so, why is that?
JM: I love to photograph any discipline. Sometimes during simple jumps such as with tandems or AFF students I’ve captured images that have made me super happy. But if I had to choose, I would prefer to photograph freestyle. I really think in our sport there is nothing more beautiful that a girl dancing in the sky!
DZ: You list Norman Kent as one of your inspirations, and state that it was your goal to take pictures that looked like his. What aspect of Norman Kent's style have you always looked up to most?
JM: Definitely, like I mentioned earlier, Norman Kent was, and still is, one of my inspirations and like every novice photographer I tried to emulate others, today I think I have my own style. But what I really like about Norman, is that he is not just focused on capturing a zoomed-in, square picture. He is always trying to show the beauty of the sky and how lucky we are as a skydivers to have such a huge and amazing playground, every single day.
DZ: A topic that is hard to avoid with all fields of photography these days is the relation between art and technology. Do you feel that the internet has been a blessing or a curse with regards to being a photographer, and why?
JM: Well, when I started skydiving photography we only had film, so we would take a photo, bring it to the store, and then wait a few days until the film was developed. So trying new things and learning different techniques was a long and costly process. We always had to be sure to use the right setup to get a good photo, because we couldn’t try again, especially when filming tandems. Today, with all the digital cameras, we can try as much as we like, which is really good in terms of money and time, but its also true that it makes us more lazy, in terms of preparing the right setups to take a nice photo. Anyways, the relation between art and technology is amazing for us as photographers. Today, within a few seconds, we can share our art and photos freely with million of peoples around the planet, which is a real blessing!
DZ: You just recently published a book titled "Ultimate High: Skydiving Behind The Lens", could you tell us a bit about the book and what it contains?
JM: Its a hard cover book with 104 pages of skydiving photography. I always wanted to publish a book with my photographs but wasn’t quite sure how to start so I met with designers and people involved with photography books. It was a very long process, choosing the photos, finding the right text, designs, meetings and more meetings, etc, etc, etc. But after 2 long years of hard work, it finally got published.
My book contains photos that I took over the years of skydiving in many different places around the world. Most of them being special moments in my life as a skydiver, shared with friends.
The book also contains narrative explaining my philosophy as a photographer and skydiver.
DZ: The release of your book is no doubt a milestone in your life, what other goals do you have set which you hope to achieve in the future?
JM: Yes it’s definitely a milestone! I have many goals, but the most important ones are to continue sharing special moments with friends and taking photos that makes me happy. And to mention a dream, I wish one day I can enjoy the sky with my little daughter doing freestyle! But of course it will depend on her, whether she likes skydiving or not :)
DZ: Thanks for taking the time to talk to us, we always love sharing your images. Do you have any last words for readers?
JM: Thank you guys so much for giving me the opportunity to show a little part of my passion for Photography and Skydiving! Just some last words, NEVER STOP FOLLOWING YOUR DREAMS!

By admin, in News,

Poorly Packed Parachutes - A Personal Story

While some see skydiving as an activity that leads to death, others have quite the opposite experience, where they find life. There are countless stories from individuals who found that skydiving saved them from themselves, offering both a community and a purpose. Andrew Goodfellow is one of those people, and he recently submitted this piece which details his venture into the sport.
I found skydiving on the run. Ten years of addiction, depression, self-loathing, countless failed relationships, a broken engagement, two suicide attempts (one near success), and the ever-present aching loss of a sibling, left me with a lot to run from. But for a long time, it felt as though I had no one and nothing to run to that could save me from myself.
Almost overnight, skydiving filled a void that nothing had ever come close to filling. At its best, it’s the most pure and vital experience I’ve ever known. Totally thrilling and deeply fulfilling. And at its worst…well I had already tried that route twice…so I figured at least this way I’d part with the world on better terms.
What I found in skydiving was more than I expected. Friends, community, support, inspiration, excitement, challenge, and pride.
The rewards were all around. But I also came to realize how many crucial life lessons were on offer at the DZ. Skydiving is a great teacher. Its lessons are vital. Its truths are fixed and inarguable. It is indiscriminate. It is generous and unforgiving – rewarding and punishing in near equal measure.
It teaches patience and perseverance. It fosters trust and forges self-reliance. It provides constant proof that learning is a perpetual process; perfection does not exist. All are fallible; none invincible. It necessitates calm under pressure. It demands you walk the fine line between confidence and recklessness. It requires you to train and focus and prepare. And then begs you to accept that which lies outside your control. Perhaps most importantly, it forces you to make hard decisions. It teaches you to recognize that crucial moment when the best course of action – the only choice that will save you – is to give up fighting, swallow your pride, and cutaway.
Many of life’s toughest moments feel like a really slow opening, a line-over, a two-out, toggle fire. Blistering uncertainty meets coursing fear, raw emotion and instinct. And above all, a defiant will to survive. Looking back, I’ve had a lifetime of low-speed, high-speed, and total mals. Situations I found myself in – whether of my own doing, or simple tricks of fate – that called for precise and efficient emergency procedures I either couldn’t muster or was yet to learn. Without knowing it, I’ve spent a long time sacrificing altitude for stability in one form or another.
My experiences in the sky have been exotic and intoxicating; yet not without great peace and tranquility. There is a magnetism about skydiving that consumes those it attracts. The primal, electric surges of dopamine and serotonin that flood your brain in freefall lay shame to any narcotic high I’ve ever known. This cannot be overstated. And the constant evaluations of risk and reward are, in themselves, a thrilling version of chicken that each of us plays against ourselves on every jump – at the intersection of the familiar and the unknown.
One quickly realizes, as did I with much dismay, that the phrase “mind over matter” could scarcely be applied as accurately to another pursuit. All the strength and speed in the world won’t help you swim your way back into that plane once you’ve left the door. And good luck muscling your way to stability or control. Abandon hope, all ye who enter here. The sky will disabuse you of many formerly held convictions in a matter of seconds, as it calls to you with its Siren’s song. Welcome to your second adolescence. There is much to learn.

By admin, in News,