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    4 Reasons You Need to Escape Wintertime and Jump in South Africa

    Exit at Mother City Skydiving. Image by Christopher Teague If the long flight puts you off--or if you’re new to the whole African-continent thing--let me be the first to tell you to get over it and get down here. You’ll be so glad you did. When the skydiving season is literally cooling off in the northern hemisphere, the southern hemisphere is just heating up. And it gets good.
    While December-friendly dropzones in the States tend to be one-trick ponies (I’m looking at you, middle-of-the-desert DZs), their South African counterparts offer more than drafty hangars and lukewarm swimming pools for your landside entertainment. Much, much more. In fact, this author insists that every skydiver in the Northern Hemisphere should get a gear bag together and abandon bad weather for points south. (Spoiler: Sure, it’s about the jumping--but it’s about so much more than the jumping. When it comes to adventures, Africa never disappoints.)
    Reason #1: Trip-of-a-lifetime ways to get your boogie on.
    December is smack-dab in the middle of the summer boogie season in South Africa, so skydivers have even more incentive to book the trip. Skydive Mossel Bay, for instance, is planning some seriously sweet turbine-fueled freefly shenanigans for December 16-31. You can expect gold-medal coaching, all the organized jumps your fluttery little heart desires, a flurry of exotic aircraft, landing after landing on the bay’s powdered-sugar beach and a South-African-style party you’ll be talking about for years (if you register in time). If that’s not enough, point your navel at the ground and make some shapes at the belly-themed JBay Boogie, where you’ll jump with a view of the world-famous righthand pointbreak that is Jeffrey’s Bay. (Pro tip: Book both boogies and bring all your swimwear.)

    View of the Cape Town area, with Table Mountain, as seen from Signal Hill. Image by Bryn De Kocks If you end up in-country in November instead, don’t despair: There’s the Tonto Boogie up in Johannesburg from November 25-27. Sure, there’s no jaw-dropping ocean view--but there are plenty of planes, plenty of organizers, plenty of new friends and plenty of good vibes to make up the difference, and the “braai” (bar-b-que) is legendary AF.
    Reason #2: (You guessed it.) Animals.
    Want to wake up on the right side of the bed for a long day of jumping? Try taking a private open-air shower while listening to lions make big-kitty noises on the ridges nearby. That’s totally possible at Skydive Mossel Bay, which is just down the road from five-star safari digs at Botlierskop Private Game Reserve. If you feel like taking a coastal drive to explore around Mossel, do it with a purpose: You’re just a couple of hours from canoodling with pachyderms at the Knysna Elephant Park.

    African Penguins along the Western Cape coast. If you end up heading inland to do some jumping at Skydive Robertson, take a day to explore the “kloofing” (hiking) around McGregor village, where several beautiful conservation areas provide many miles of baboon-dodging along your route between the various waterfalls and bushman’s caves. And if you’re kicking around Mother City, take a long afternoon to swim with the penguins, go dassie-spotting on Table Mountain or stroll around Kirstenbosch National Botanical Gardens. (Insider tip: Don’t miss the summer concert series.)
    Reason #3: Chain restaurants and sorry Mexican food? Nopey nopey nope.
    The exchange rate is currently favorable enough to turn your dropzone food strategy into a downright white-tablecloth affair, so don’t miss the opportunity. Skydive Mossel Bay sits right next to some of the best beachside braai spots in the country, as well as a couple of standout oyster bars and several coffee shops that are well worth a visit. Skydive Robertson’s choice spot in the Robertson Wine Valley puts a posh spin on the green light, offering up dozens of tasting rooms for your boozy perusal. Then, of course, there’s Mother City Skydiving--which is less than an hour from what is (in this author’s opinion as well as the Telegraph’s) the world’s best city, replete with gastronomic stunners, artisanal cocktails served in suitably slinky venues and pop-up supper clubs.
    Reason #4: You’ve always wanted to.
    You’ve wanted to see Africa for yourself since you first saw ‘The Lion King.’ (C’mon. You know damn well that’s true.) And now, as a mostly-grown-up skydiver, you have the perfect excuse to finally go: Staying current. There’s a nice bonus, too, for the moment: With the exchange rate being what it is, your USD--or GBP, if that’s your thing--are going to go surprisingly far towards those bucket-list African adventures. (Y’know: shark diving; cheetah snuggling; dancing around with the kids in an actual-factual village.)
    ...So it’s settled then. I’ll see you in December up in the big, blue African sky.
    Right?
    Right.

    By admin, in News,

    BASE jumping injuries and treatment in the field

    You just landed after throwing a double gainer from a cliff in Moab. Adrenaline surges through your system as you think of the amazing visuals you just saw. As you gather up your canopy, you pause to watch the next jumper exit. After a short delay, he tosses his pilot chute and the canopy deploys offheading. He takes evasive measures but the strikes the wall repeatedly. After finally getting the canopy turned away from the cliff, he lands hard on the talus and tumbles to a stop thirty feet below and doesn't move… Now the real adrenaline kicks in. What do you do?
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    Introduction
    The scenario above is a severe one, but all too possible. In the hazardous environment we know as BASE jumping, we often place ourselves in situations which may result in our injury or death. Due to the inherent risk involved with this activity, every time we jump there is a possibility that something will go wrong. Fortunately, the most common BASE injuries are relatively minor and having a basic knowledge of first aid can help dramatically. With immediate care you can reduce the lasting effects of many injuries, and the time it takes to recover. Another goal is to improve the comfort level of the injured. The scene of an accident is not the place to be thinking about learning lifesaving skills. Preparing yourself ahead of time will make you a more confident jumper and knowing your partners have the same skills will go a long way if you yourself happen to be the one needing help. For the purposes of this paper, I have tried to explain thing in layman's terms wherever possible and assume that you have taken a basic CPR course. (Call the American Red Cross or go to www.redcross.org.)
    3

    Assessment
    This is where you size up the situation and the extent of the jumpers injuries. This is a process you will use for serious injuries. Your basic assessment should take about one minute. Not slow enough to waste valuable time, but not so fast that you miss important signs. Your minute will be divided into two phases: the Primary survey or ABC' s (15 seconds), and the Secondary survey (45 seconds).
    Primary: Establishing the severity of the situation.
    Make the scene as safe as possible. Move anything that may be a risk to you or the injured and get hysterical people out of the area. Send someone for help.
    Airway. Make the jumper has an airway. If they can talk to you, they have an airway. If not, check yourself. Use the head tilt/chin lift or a jaw thrust. (These techniques can be learned in a basic CPR course.)
    Breathing. Are they breathing? Put your ear to their mouth/nose area and look for the chest to rise and fall. If no breathing, revert to your CPR training.
    Circulation. Do they have a pulse? If not, start CPR. Is there profuse bleeding?
    Deformity. Are there obvious injuries?
    Expose. Weather conditions permitting, remove the clothes of the jumper (cut preferably) and cover with blankets as needed. Hypothermia is a possibility now and you need to be aware that the jumper may go into shock. Secondary:
    Eyes, ears, nose, and mouth:
    a.Eyes; in sunlight, cover the eyes then uncover them and see if the pupils react. At night use a light to check.

    b.Ears; is there any fluid coming out? Don't try to stop drainage.

    c.Nose; any bleeding?

    d.Mouth; look for blood or broken teeth. Teeth can be a choking hazard so remove loose, broken pieces.
    Neck: Can you see any obvious deformities?
    Chest: Can you see any section of the chest that moves opposite the rest when the patient breathes? (Broken ribs) Is there any tenderness?
    Abdomen: Is there any tenderness or does the abdomen seem more rigid than normal? (Internal bleeding) Are they trying to keep you from touching them?
    Pelvis: Any tenderness? Can you feel bones rubbing or grinding? Someone with a broken pelvis will sometimes feel like they're, "falling apart."
    Arms: Do you see any obvious fractures? Can you feel any bones grinding? Can you feel a pulse in the wrist? Check circulation by pressing on the fingernails and seeing how fast they get red underneath. Try this on yourself for a comparison. Can they feel you touching their hands? Can they move their arms? Have them squeeze both of your hands at the same time and feel if one side is weak.
    Legs: Do you see any obvious fractures? Can you feel bones grinding? Can you feel a pulse behind the ankle? (Check behind the big ball on the inside of the ankle.) Check the nail beds. Can they feel your touch? Can they wiggle their toes? By now, you should have an overall impression of how severe the jumpers' injuries might be. Now you can plan the best course of action for the rescue efforts. Redo this assessment every 3-5 minutes until EMS personnel take over. Be sure to report these findings to EMS personnel as it will provide useful information to them.

    For a quick set of field vital signs:
    Check the pulse and count beats per minute.
    Approximate blood pressure can be obtained without a stethoscope or BP cuff.
    A cool trick: If you can feel a wrist pulse, the systolic pressure is about 80. If
    you can feel a pulse on the inside of the arm where the bicep and tricep meet,
    it's about 70. If you can only feel it in the neck, it's about 60.
    Check breaths per minute. This may not mean much to you but if you can provide EMS workers with a sheet of vital signs detailing every five minutes in the past half hour, it can increase your friends' odds of surviving. This is because it shows the "trend" of vital signs and can give valuable clues about the condition of the jumper.


    Shock
    Shock can have several different causes but the likely causes in our situations would be trauma to the nervous system, or loss of blood. Shock occurs when tissues and vital organs are not getting enough oxygen from the bloodstream.
    Symptoms of shock include:
    Pale, cool, clammy skin
    Restlessness
    Nausea/vomiting
    Rapid breathing
    Drop in blood pressure The first step in treating shock is to stop blood loss. Then, cover the jumper with a blanket. As long as injuries don't prevent you from doing so, elevate the feet about 8-10 inches over the heart. They may get thirsty but try not to give anything to eat or drink. If there may be a long delay until help arrives, you can give small amounts of water at room temperature. Even if a jumper doesn't display symptoms of shock, treat for shock anyway. They might not be in shock yet.
    Bleeding
    There are three types of bleeding: capillary, veinous, and arterial. Capillary bleeding is the oozing blood you see when you skin your knee. It is minor and not life threatening. Veinous bleeding is blood from a vein. It is dark red and flows out of the wound. Arterial bleeding is pretty obvious since there will usually be an arc of bright red blood spurting out of the body. Arteries carry lots of blood and arterial blood loss can be immediately life threatening.
    Stop the bleeding:
    Apply pressure directly over the wound. If you have a clean dressing,
    use it. If you don't have something sterile, use what you have. A shirt or towel will work. If the wound gets dirty, we can treat it with antibiotics later.
    If direct pressure fails to stop the bleeding, combine direct pressure
    with elevating the wound over the heart.
    If the bleeding still hasn't stopped, apply direct pressure to a pressure
    point. There are eleven pressure points on each side of the body.





    If all else has failed, use a tourniquet. The decision to use a tourniquet
    is a serious one. This will completely stop the blood supply to the extremity involved and may result in that limb being amputated. Use it in a life or death situation. To apply a tourniquet: a.Wrap a band around the limb. Preferably, use something flat and at least one finger wide. A strap from a stashbag will work.

    b.Tie it in a knot around the limb.

    c.Lay a stick or similar object directly on the knot and tie another knot over it.

    d.Twist the stick to tighten the band. Twist it until the bleeding stops.

    e.Tie the stick in position.
    Record what time you applied the tourniquet and once it's on, DO NOT remove it.
    Femur Fractures
    The femur is the long bone between your hip and knee. Alongside your femur, lies the femoral artery. The femoral is one of the largest arteries in your body and cutting it can result in bleeding to death very rapidly. For this reason, proper attention to femur fractures is extremely important. Fortunately, the femur is a serious chunk of bone so it takes a lot of force to fracture it.
    If you suspect that the jumper has a femur fracture, you must not let them attempt to walk on it!
    After the thigh is injured, the muscles will spasm. If the femur isn't there to support the muscle, the sharp bone ends can cut muscle tissue, nerves, and the femoral artery. The way to prevent this is to apply traction in the long axis of the bone. The easiest method of applying traction is to use a traction splint. (The Kendrick traction splint™ is a very BASE friendly item to have. It costs about $100 and folds into a pouch that will fit inside a hip pouch or cargo pocket. If you were sitting there with a femur fracture I could offer you one for a couple thousand dollars and you'd accept.)
    To apply traction, pull straight on the ankle. Imagine trying to stretch the leg and make it longer. You will need to keep constant traction until an actual traction splint is available. It is very important that you never let up the tension or else serious damage may result. If the shoe comes off, the resulting rebound will be excruciating and bad things will happen. For this reason, remove the shoe on the broken leg. The jumper won't be walking anyway.





    Splinting
    Splinting is not really a science. When a bone breaks, the ends are usually very sharp. When these sharp edges move around, you can damage muscle tissue, nerves, and blood vessels. In order to prevent this, you splint the affected bone to immobilize it. Sometimes, you use whatever is available.
    There are two classifications of fractures, closed fractures and open fractures. Closed fractures include any fracture where the bone does not break the skin. In such instances, proper treatment includes immobilizing the fracture and seeking medical attention. Open fractures occur when a bone breaks through the skin.
    Signs of a fracture include:
    A bone end sticking out of the body,
    A grinding feeling at the site of the suspected fracture,
    Deformity of the limb,
    Loss of ability to move the limb,
    Loss of pulse or sensation,
    Muscle spasms. Your first step in treating a possible fracture is to stop and take a deep breath.
    Few fractures are life threatening unless they are mishandled. If there's no apparent life threatening injury, the best approach is a slow methodical one.
    Cut away clothing from the area and control any bleeding. If you find an open fracture, treat it like any other wound.
    Generally, you don't want to attempt to straighten out a broken limb. Don't try to realign the bones yourself. There are exceptions to this. If the limb has no pulse or is losing color, you may need to reduce the angle of the fracture to restore circulation. If you need to transport the jumper over rough terrain, a limb sticking out to the side will make things difficult. In these situations, not splinting would be more dangerous. IF YOU DECIDE TO ADJUST A FRACTURE, keep in mind that the sharp end can do major damage to the surrounding tissues so limit movement as much as possible. Also, have someone hold the jumpers arms so you don't catch a right hook.
    The goal in splinting is to immobilize the bone that is broken. You should try to immobilize the joint above and below the fracture.
    Find something to use as a splint. Most sites where we jump are in wooded areas so there is usually a variety of sticks and branches to choose from. If possible, pad the splinting materials with a towel or shirt to take up the space between the limb and the splint. This will also improve the comfort of the jumper. Use your imagination and you can usually come up with a splint for most fractures.
    Forearms can be fractured when you try to catch yourself during a less-than-graceful landing. Fractured forearms should be splinted with a natural curl of the fingers. Place a roll of gauze, or something similar in the palm of the hand. This will go a long way to improve comfort.
    If you suspect fractured ribs, you can pad the chest and gently wrap it. Placing the arm on the affected side into a sling helps. Try so calm the jumper and have them sit down until help arrives. Limit movement since a fractured rib can puncture a lung.
    If you suspect a skull fracture, DO NOT place pressure on the head. Monitor level of consciousness and do not give morphine!
    Joint injuries
    Damaging joints is a constant threat to BASE jumpers. Ankles are the most frequently injured joints skydiving, BASE jumping, and most sports. There's a saying that goes, "An ounce of prevention is worth a pound of cure." This applies to us because it is pretty easy to reduce the number of ankle injuries. Wearing an ankle brace is an easy and effective measure to prevent hurting your ankles in a sketchy landing. They're available at any sporting goods store. A simple low-grade sprain can keep you grounded for a weekend. A serious sprain can keep you from jumping for a year or longer.
    If you break a bone, it will usually heal stronger than it was before you fractured it. Ligaments, tendons, and other soft tissues may never completely recover from injuries. Ask anyone who's been jumping for a few years.
    If a jumper injures a joint in the field to the point that it will not bear bodyweight, you should treat it as a fracture until an x-ray can prove otherwise. Splint it and proceed to the nearest hospital for evaluation.
    All Sprains can be treated with the acronym, R.I.C.E.
    Rest: stay off the affected joint and give it time to heal.
    Ice: apply ice, cold packs or frozen vegetables to the joint. Peas work well because they will conform to the shape of the joint. Just don't eat them after several freeze/thaw cycles.
    Compress: wrap the joint firmly but not too tight. An ACE wrap can is ideal. If your fingers or toes turn purple, it's too tight. If you squeeze your nail-beds, the color should return immediately. If not, re-wrap more loosely.
    Elevate: Kick back and have a cold one. Try to keep the injured joint at about heart level. This regimen can be supplemented by taking Motrin (ibuprofen) or Aleve (naprosyn). Follow dosing directions on the package. Both are anti-inflammatories and will help with the pain. If this treatment isn't working, it might be a good time to see a doctor.
    Summary
    This paper is by no means, a complete set of first aid information for the BASE jumper. In addition to reading this paper, I highly recommend enrolling in a CPR class, a basic first aid course, and an EMT Basic course. Most junior colleges offer an EMT course and CPR is usually included. These classes will show you how to approach an injury and decide on the most appropriate course of action.
    First aid is a skill-set we hope to never need. The harsh reality of our sport is that there will be more injuries, and there will be more fatalities. Hopefully someday BASE jumpers will stop being injured and killed. Until that day comes, we all need to know what to do when accidents happen.
    ---Dexterbase
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    By admin, in News,

    A Brave New Tunnel World

    Luxfly, Tunnel Tech and the Mighty Braffs
    It seems like tunnels are popping up everywhere, doesn’t it? As a dyed-in-the-wool aficionado of all vertically-oriented wind, this can hardly have escaped your notice. Another thing that hasn’t escaped your notice, we’re willing to bet, is that none of these tunnels have popped up within a lunch-break drive of your fine abode.
    Wanna do something about that? Well: As it turns out, you can. And you can do it even if you’re not personally made of money. Want proof? Meet Steve Braff, a true tunnel-building dynamo. He and his wife/business partner, Magali share a deeper history in windytubes than pretty much anyone on the planet -- and now, they’re building Luxfly, the most exciting indoor skydiving wind tunnel project in Europe, using the brand-newest, top-of-the-line-est technology to do so (Tunnel Tech, to be specific -- but we’ll get to that later). Suffice it to say: The Braffs are a good example to follow.
    Currently, Steve and Magali -- collectively known as their vertical wind tunnel consulting business, Starfly -- are keeping busy not just with Luxfly, but with .other tunnels around the world. As a point of note, Starfly is utterly unique -- Steve and Magali are the only people in the world who do this kind of work, helping others to build tunnels. Outside of Starfly, there are two industry operators: the customers, who want to have and operate tunnels, and the tunnel manufacturers, who want to sell vertical wind tunnel technology. Until Starfly, there’s been no one in between to smooth the steep, bumpy road to a grand opening.

    Pretty in pink
    “Right now, we have five projects in process,” he says. “But it varies. Sometimes, we help people out with optimizing their existing tunnels; sometimes, we help them start projects, or assist them in different phases. We work with a group of investors to which we propose our projects. The specific investors depend on the location and the host country. People who want to build tunnels can work with us at every stage. We can do it from A to the end.”
    “Since I was a kid, my dream was always to fly like Superman,” Steve grins. “And that was the only thing I ever wanted to do.”
    Steve started skydiving at 21 years old. He’s celebrating his 23rd year in the sport this year, with around 8,000 skydives, a thousand BASE jumps -- and, very importantly, lots and lots of hours in the windytube.
    “I was always interested in the tunnel flying industry,” he explains. “It always amazed me, what people were doing in there.”
    For a very long time, Steve funded his freefall habit by working at the family company: importing Italian coffee into the Braffs’ native Belgium. One day, after 15 years of working side-by-side with his brother, mom, sister and dad, he decided it was time for a change.
    “I said: You know what, I think I'm going to quit,” he laughs, “And sell air. So I did.”
    “There’s enough money around the world to serve everyone who wants to invest,” he insists. “The issue is that there aren’t enough ideas, or the people with the willingness to push them.  When somebody tells me they’ve been trying [to get a tunnel started] for two years and they can’t seem to get the money together, I just tell them they need to push harder. Never give up.  It only depends on you. The money is there, and you’ll unlock it if you try.”

    Tunnel Tech airducts with Hubble-level surface precision and finishing
    Steve doesn’t want you to think that he’s under the impression that it’s easy to convince someone to invest in something as big as a tunnel. The price tag of a windytube is plenty high for a project that most humans have only seen, occasionally, on TV.
    “You need to transfer your passion to the investor,” he advises. “If you are capable of doing this, then you’re already doing great work on the investment. Even if you have a business plan and you can prove with paperwork that your wind tunnel is going to make a lot of money -- super nice presentations and Excel sheets and all the trimmings -- you still need to make your potential investors believe in it with their hearts. If they don't believe in it with their hearts, they will not invest.”
    “Think about it,” he continues. “You’re asking them to invest millions of Euros in a building with wind blowing at 200 kilometers per hour through the walls. It is crazy. We still run into this all the time when we go to new contractors. Why all of this for a flight chamber? Why all of that construction around it? They don't understand.”
    In 2006, after one false start at a Belgian dropzone, that decision took Steve and Magali to create a truly watershed moment in what the rest of the world knows as “indoor skydiving.” Inspired by the idea that training in the vertical wind tunnel could revolutionize skydiving -- at the time, a very new and unorthodox philosophy -- the pair decided to build the very first vertical wind tunnel facility in Belgium. It was called AirSpace and it was, in a word, visionary.
    “I am a big fan of Apple, and their thing was always to think different,” Steve explains. “And that resonates with us, because it’s really the way we live. We are always trying to improve and make stuff differently; not to be just another tunnel. Our tunnel was a huge success because of that, and because we wanted to do everything we could for the for the flyers.”
    Steve and Magali built “their” tunnel from scratch. To do so, they quit everything else in their lives to focus full-time on creating the facility -- including their home.
    “My wife and myself, we decided we were going to go full on,” he smiles. “We wanted to know everything -- every bolt, every detail -- about our tunnel, and about the industry. So we left our rented house and moved into the contractor container on the construction site. We lived in it for a year. It was a really nice experience, day by day following the progress of construction.”

    Steve and Magali Braff
    Though ‘home’ was technically a shipping container for the Braffs that year, the heart of the idea behind that tunnel -- and, now, LuxFly --  was, charmingly, to make it into as homey a place as possible. The Braffs integrated a cozy lounge bar; as much wood as possible, moving away from the stainless-and-plastic aesthetic that pervaded (and still pervades) the vertical wind tunnel oeuvre; a deep sense of comfort and place.
    “We were insistent that it had to be like a house,” Steve says. “I wanted people to come in and walk around in their bare feet. When I saw that for the first time, it felt like success to me.”
    The year it took to build AirSpace -- still fast for a tunnel project, which is normally it is two years from the point of financing, securing building permits and organizing all the construction to the grand opening -- taught Steve and Magali a boatload.
    “Sure, it was a lot of ups and downs -- a lot of them -- more downs than ups, okay -- but, at a certain point, you have to look at it a bit like the stock market,” he explains. “You need to be patient and you need to keep believing in it. That is your only source of strength. Not depending on anyone. It's yourself; your own belief.”
    The tunnel truly bloomed under the Braffs’ management. This is one couple, however, that doesn’t make a habit of resting on laurels, no matter how comfortable they might be. After a few years, they decided to sell it and move on. It felt like time to grapple with another project (this time, on the border with Luxembourg), and to start helping other would-be tunnel owners with their own projects.
    “We earned a lot of experience over the course of all those years,” Steve says. “We traveled a lot, both skydiving and tunnel flying. We have seen a lot of wind tunnels. We took all those ideas we discovered over the years and we put them into in Luxfly. It's going to be super, super, super special.”
    According to Steve, Luxfly is going to be “the 2020 version of tunnel flying.” The design aesthetic -- still a secret, as of publication -- promises to be groundbreaking. The pair decided to make another, perhaps even bigger change: a total technology rethink. While AirSpace used top-of-the-line-at-the-time German tech (ISG), the Braffs decided to build Luxfly with Tunnel Tech, a multinational vertical wind tunnel technology company that’s making huge strides forward in safety and efficiency.
    “I must say [Tunnel Tech] have blown us away with the quality of their product,” Steve explains. “First of all, I’ve known Slava, the CEO, for many years. When I heard he was making his own technology -- and that they were building a 15-foot with less power consumption than a 14-foot -- I got very curious. Then I started following their projects in Japan, in Moscow and in Korea, and I was totally convinced.”

    The LuxFly structure & the Tunnel Tech machine are ready for assembly
    “It was a risk, of course, because it’s a new company, and it always feels safer to go with a company that has built 15 tunnels versus somebody that has built three,” he continues. “But that’s our history. With Airspace, for example, I think we were the fourth ISG tunnel; perhaps the fifth. So being the fourth Tunnel Tech wind tunnel doesn’t feel so crazy. Tunnel Tech really are rethinking every part of the tunnel -- how we can do better, better and better -- contrasts a lot with where now a lot of manufacturers are now. When you have a certain design that's working and selling, the tendency is to just keep it until people demand something new. Tunnel Tech keeps well out in front of that.”
    With Luxfly’s gala grand opening set for the end of January, Steve and Magali are up to their eyeballs in preparations. They insist, however, that they are always available to help people out -- to make new tunnel dreams a reality.
    “We are passionate people,” he smiles. “We just want to share our love of flying.”

    By nettenette, in News,

    Canopies for Kids

    Put simply, skydiving is the act of jumping out of a perfectly good airplane and performing aerial maneuvers in free fall before landing by parachute. However in the eyes of Canopies for Kids founders Matt Kuikman and Taryn McKay it was so much more than that. It was an opportunity to combine the sport they love with a cause that they were both passionate about. All they had to do was incorporate a few teddy bears.
    Matt and Taryn launched Canopies for Kids in the Spring of 2012 with the mission of providing skydivers with the opportunity to take stuffed teddy bears along for their skydive. Their organization uses this experience to position those bears as "The Bravest Stuffed Teddy Bears in the World" which are then given to sick children in hospitals. Their hope is that these special bears will help provide kids with the hope, support, and courage they need in their fight ahead and in their journey towards living a happy and healthy life.
    Participating in a Canopies for Kids jump is rather easy. You simply show up to one of their partnered drop zones and purchase a Canopies for Kids kit on top of your jump fee. Their kits are just $20 and include a Canopies for Kids teddy bear in a plastic bag flight suit and an envelope containing a card with a heartfelt message to the child in the hospital which each skydiver can sign and personalize. The costs of shipping and handling are also included, as well as a built in $5 donation to the Children’s Hospital. Recently they also added a Sponsor a Bear program in which individuals who don’t want to jump themselves can purchase a kit and donate the bear to go skydiving with another skydiver who is selected by the drop zone.
    After the bears have jumped they then make their journey to the local Children’s Hospital that the DZ is partnered with. Throughout the entire process the bears need to remain in their plastic bag flight suits. The reason for this is because some of the children these bears are intended for may have compromised immune systems; therefore it’s important that they remain as sanitary as possible. The hospital will then deliver the bears and their cards to the kids in a manner that they see fit.
    Canopies for Kids is presently located in Chicago, Illinois. In their first year of operation they partnered up with Skydive Midwest and the Ann & Robert H. Lurie Children’s Hospital. They had over 70 bears jump with minimal marketing and exposure. As the 2012 season rounded out, Canopies for Kids began to gain increased publicity thanks to a documentary being done about them by an organization called Bus 52. That documentary can be found below on Youtube.
    Since the release of the documentary, the Canopies for Kids story has started to spread even further. Their founder Matt was recently interviewed on Skydive Radio and they are presently hoping to expand their operation to drop zones all over the United States. The organization is in the process of finalizing a partnership with a drop zone on the East Coast and will also have a presence at the upcoming 10th Annual St. Patrick’s Day Boogie in Fitzgerald, GA. They are even working with a few individuals to build affiliate operations in other countries.
    If you or your drop zone would like to learn more or get involved with Canopies for Kids you can visit them on the web at www.canopiesforkids.com. You can also find them on Facebook at www.facebook.com/canopiesforkids or follow them Twitter at www.twitter.com/canopiesforkids.

    By admin, in News,

    Sunshine Superman - Press Release

    Synopsis


    A heart-racing documentary portrait of Carl Boenish, the father of the BASE jumping movement, whose early passion for skydiving led him to ever more spectacular –and dangerous– feats of foot-launched human flight. Experience his jaw-dropping journey in life and love, to the pinnacle of his achievements when he and wife Jean broke the BASE jumping Guinness World Record in 1984 on the Norwegian 'Troll Wall' mountain range. Incredibly, within days, triumph was followed by disaster. Told through a stunning mix of Carl's 16mm archive footage, well-crafted re-enactments and state-of-the-art aerial photography, Sunshine Superman will leave you breathless and inspired.




    About The Film


    Sunshine Superman is a non-fiction feature that lets the audience experience what it feels like to jump off a cliff and walk away alive. In the freewheeling 1970s, what is now considered an “extreme sport” was considered simply crazy. Jumping off a building or bridge with only a few moments to release your parachute was not only seemingly illegal, it was deemed suicidal, even by many seasoned skydivers. Yet this is not a film about death. It is about the essence of life—of what it feels like, if for only a moment, to truly fly.
    In that era of danger and excitement, a man named Carl Boenish helped coin the acronym “BASE”, which stands for Building, Antenna, Span, and Earth—the various objects from which Carl and his friends would jump. Carl was the catalyst behind modern fixed object jumping; an electrical engineer and filmmaker who believed in BASE-jumping as a spiritual practice through which mankind would overcome all of its self-imposed limitations. He religiously chronicled the early days of BASE in beautiful 16mm film, often with cameras mounted to the jumpers’ heads. Carl’s skills were perfectly married to his milieu and his moment, as he was able to capture on film the very birth of the activity of foot launched human flight.



    Jean and Carl Boenish in SUNSHINE SUPERMAN, a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.
    Carl’s story, and his visual chronicle of an era, could have easily been obscured in the era of YouTube, or at least remained hidden within BASE’s secretive culture. Several years ago, however, director Marah Strauch and producer Eric Bruggemann began research for what was originally to be a short film on early BASE-jumping. As Strauch interviewed the people who had witnessed the sport’s birth, and discovered more and more footage of ordinary men and women in fearless flight, she understood that BASE’s story was much larger, much wilder, and far more beautiful than she could have guessed.
    The Boenish archive, to which the filmmakers have been granted exclusive rights, is utilized extensively throughout Sunshine Superman, as are many other early films and videos documenting BASE’s eccentric characters, historic moments, and tragic losses. In the eight-year process of making Sunshine Superman, the filmmakers have archived and restored thousands of feet of original films and other historical material. And yet the film does far more than recover these lost documents. Strauch has traveled the globe to conduct personal interviews, revisit tragic settings, and above all to document the living, breathing continuation of the story Carl Boenish set in motion.




    A scene from SUNSHINE SUPERMAN, a Magnolia Pictures release. Photo courtesy of Magnolia Pictures. Director's Comments


    “At its core Sunshine Superman is a love story. As a filmmaker I wanted to capture the essence of danger and the bitter sweetness of falling in love. I am interested in characters that pursue activities or goals that most people would think are waste of time and in this case a death wish. This film is about having your breath taken away, either by love, passion, or by dizzying heights. This film is on the surface about discovering a new extreme sport, in the 1980’s in California. On a deeper level the film explores themes of death, obsession, and living an authentic life despite the consequences.
    My uncle Mike Allen was a BASE jumper and aerial photographer and it is through him that I entered the world of BASE jumping. My uncle, who died in a 1991 auto accident, was a well-respected member of the BASE jumping community. He learned some of what he knew about aerial photography from watching the films of the Father of modern BASE jumping, Carl Boenish. Mike Allen left behind a pile of his BASE jumping videotapes and films and it is from these labels and titles that I found the fellow jumpers Mike had known. I also discovered the sport of BASE jumping; it struck me as an expression of freedom and a celebration of life. I was astonished and brought to tears by the beauty of the footage.
    Carl Boenish was considered the most prominent inventor and the “Pied Piper” of BASE jumping. I was enthralled by the story of individuals who push themselves to transcend human limitations. Carl did not believe in man-made limitations. He believed BASE jumping was an expression of the human spirit. He was a visionary. Carl Boenish was also a filmmaker. He pushed his own physical limits to make films. He was transcending the physical, to find the spiritual. He was flying. Carl wanted to share the joy of BASE jumping with the world.
    When finding the look of the film I gave Nico Poulsson and Vasco Nunes (the Norwegian and the US cinematographers) many references for the look of film from German/ European Romantic painters, to Andy Warhol’s portraits, to Scandinavian design catalogues from the 1980’s. We looked at sources that create a very stylized and cohesive film that will hopefully feel very familiar yet different due to the subject matter and milieu. We created a film that embellishes the patina of the 1980 in California and Scandinavia. At the same time showing the beauty and sublime Romanticism of nature and man in nature.




    Carl Boenish in SUNSHINE SUPERMAN, a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.
    I was interested in creating a film that pushes the boundaries between documentary and narrative. Sunshine Superman makes use of the largeness and the expansive nature of the story and scenery. We shot on location in Los Angeles, Texas, and Norway. We shot the film as if it were a large-scale narrative production. We attached cameras in places that can only be reached by highly talented rock climbers. We shot BASE jumpers flying from mountains with state of the art equipment. We shot a non-fiction film but I am fully intending Sunshine Superman to offer a visceral cinematic experience.


    Press Release by Magnolia Pictures

    By admin, in News,

    Performance Designs closes out the PD Bullseye 2019 competition at Skydive DeLand

    Performance Designs hosted the PD Bullseye Sport Accuracy series across the US and Europe this summer. The competition visited 5 countries, 9 dropzones and met over 400 skydivers. This series was a chance for people with under 500 jumps to test their sport accuracy and become better canopy pilots. The 23 finalists traveled to Skydive DeLand on December 6th to meet each other, the PD team, train with Flight-1 and then compete for the chance of becoming a PD Sponsored Athlete. After an exiting competition the winner was announced: Paul Winner from Skydive Orange. Second place was taken by Lori Patalocco from Skydive Spaceland Houston and Third place by John Victor from Skydive Spaceland Dallas.


    “I felt that going into the competition, I had a chance. I’d put a lot of time into working on canopy skills this year. Then you get to the finals, start meeting the competitors and you realize that everyone has been working hard and the pressure was on. This event was incredible and thanks to PD for coming up with an idea that made so many people focus on their canopy piloting. What's next for me? I got my coach rating this year, and want to continue working with new skydivers and keep progressing on my free fly skills. Canopy wise, I’m hoping to attend an FLCPA event this coming year. I'm proud of myself and all the competitors for all the hard work we put going into this competition. I'm honored and excited about the amazing opportunities that our ahead for me.” - Paul Winner, PD

    Bullseye 2019 Winner
    Congratulations from Performance Designs to all the finalists for their hard work and enthusiasm for becoming better canopy pilots. Stay tuned for more details on PD Bullseye 2020.
    “We’re super excited about how the 2019 PD Bullseye season turned out. Loads of newer jumpers discovered and were excited about developing their canopy flight skills in a fun and competitive environment. It was great to see this series work and create greater enthusiasm in our community for safe and fun canopy flight. Learning to fly and land your canopy well is cool, and we’re glad we’ve been able to do a little part in promoting that.”


    Albert Berchtold, PD Marketing Manager

    By Administrator, in News,

    Inside The Funny Farm 2015

    You know that one time of the year where you are forced to go home and spend time with your family and you have to do it but don’t really want to? Yeah funny farm is nothing like that. At all!
    Mid April, 120 excited farmers travelled from all over the world on the yearly pilgrimage to a cattle farm near Westmar, Queensland, for a week of kick ass jumping and a lifetime of fond memories. The coach line up this time consisted of return farmers, Domi, Mox, Anna, Reader, Dougs, Jeff, Boagsy, Munting, Blakey and Macca.
    New recruits Luis Prinetto and Jason Petters joined the Farmily this year too. For the first time farmers it can be a daunting boogie, as its 6hrs from Brisbane, no flushing toilets, no reception and the nearest pub/store is 30mins drive away. But those who dare to brave it are richly rewarded.
    Mad Skills From All Around The World
    This year differed from previous years. It was open invite and the concept of this year’s farm was to not only keep improving the level of flying, but to also incorporate multiple disciplines in each jump. At the start of the week it was kept simple and easy, combining only two types at the same time. Woody and Griggsy helped skill up the XRW crew and the Dubai wingsuiters added another layer of innovation as people got their skills and confidence up the complexity of what was being attempted increased. By the end of the week it became important to get to the emplaning area early because it was a creative process to work out exit orders because the normal assumptions about exit order did not apply.
    Some old farmers returned which added the special vibe that is Funny Farm. Douggs was in charge of everything comical, so that the hot shots didn’t take themselves too seriously (which becomes challenging when Elad is slow mo-ing every rad manoeuvre and bathing you in day tape glory). Swoop comps involved directives like the running man, the turtle and some other crazy names which were always accompanied by laughter and an animated explanation of how they were to be performed, including historical information of who won these comp categories in farms gone by.
    After a recommendation from Robbie that only already competent swoopers participate, this advice was ignored by Spready who though he would give it a go anyway, not successfully. The comps were embraced by the mega swoopers who added entertainment to their exceptional skill and created a daily gathering at the pond to watch the triumph and failure. Luke Scab was a key leader in the commitment to running the pond every jump and quickly ran out of dry shoes but was a crowd favourite and didn’t need the services of Kenny the Gold Coast lifesaver who was on standby.
    No Shortage of Variety
    The day tapes were epic and long trying to keep up with all the new and cool things that were being done by so many groups each day. There were wingsuiters chasing the Yak. XRW with wingsuiters, canopies and planes. Full loads of Static mixed formations being carved around by a plane loads of movement flyers. Heaps of wingsuiters and freeflyers tearing it up in every orientation. Douggs’ ‘barely moving forward jumps’, Ariel silks from a tandem with canopies, and much much more. The United Nations could take a leaf out of our book for bridging the cultural divide. Just watch the video its MEGA!
    With the exception of Spready’s inspection of the bottom of the pond and Jeff’s in-flight seminar on drag differentiation. Everyone was safe during the week which keeps the event in good spirits and stops Robbie from increasing his angle as he stomps across the landing area towards the jumper who has made a questionable safety choice. You know if you are getting out the protractor as he approaches and it is anywhere from the 80-45 degree angle you need to start making excuses fast. The Convery brothers are always manage to rile up Robbie and Irish continued to stir up Robbie after hours with his MC gig, must be something about the Irish Ranga combo that causes fireworks and entertainment to the crowd.
    Ready was the hero of party night for epic vision that at first glance appeared to be a dead tree. Which he erected in the landing area and set it alight, a leaf blower turned into a flame thrower as they pumped oxygen into the burning 3m log. With the regular camp fire covered in cooper flakes burning green, the flaming tree spewing heat and light into the sky, some flares being thrown around and the flashing lights on the drone flying overhead, was visually spectacular and was quite an experience for everyone with a bit on.
    Funny Farm is hard to describe accurately, just trust me when I say if you ever get the chance to come, make it happen.
    This is one event that for sure couldn’t happen without endless support from sponsors the Australian Parachuting Council, South Queensland Parachuting Council, Cookie, Downward Trend Rigging, LVN lifestyle and NZ Aerosports and the Mulckey Family who allow their normally tranquil farm to be turned into our playground for one week a year.
    Stats from the Week
    2992 slots, 225 loads, 14500 litres of fuel, 224 Cartons of beer, 120 Jumpers, Two Caravans, One 182 and a YAK 52. Heaps of Kouta, Feckin Bewm. Who’s Hungry and gooood could be heard too.
    And Major Lazer ‘Lean on’ played approximately 45 times.
    *** Disclaimer: some of these stats might not be entirely accurate*****

    By admin, in News,

    The Loss of Two Legends - Pat Works and Scotty Carbone

    This week saw the loss of two skydiving heavy-weights, Pat Works and Scotty Carbone, in separate incidents not related to skydiving. Both Pat and Scotty were long time members of dropzone.com and legends within the skydiving community as a whole. Pat and Scotty couldn't have been more different in personalities, though they garnered both love and respect from fellow skydivers in their own individual approaches to life.
    Scotty Carbone




    It's difficult to say anything on Scotty that hasn't been talked about already on dropzone.com. In fact, a thread started way back in 2002 sought to bring together both stories and rumors relating to Scotty, titled "Who is Scotty Carbone?", which gathered more than 150 responses including individuals such as Bill Booth who shared his own story on Scotty.
    Although controversial at times, Scotty's brash nature and loud personality was accompanied by a willingness to help others and an unmatched ability to bring smiles and laughter to those around him. He will always be known as a man who followed his own path and didn't allow others to dictate how he should live.
    Not only was Scotty a well known personality in the community, but he was also a skilled skydiver with plenty of jumps behind his name and 'more cutaways than most people have jumps'.
    Scotty Carbone Memorial Thread
    Pat Works




    Pat Works will always be remembered for his contributions to the world of skydiving. He was a key participant in the creation and overall establishment of the relative work (formation skydiving) discipline back in the 1970s. In the 1990s he again played a crucial role in the development of VRW or vertical formation skydiving as it is now known.
    An extremely skilled skydiver with more than 8000 jumps behind his name, Pat sought to share his knowledge of the sport through his writing and authored several popular books, including: "United We Fall", "The Art of Freefall RW" and "The Art of VRW: The Way of Freefly"
    Pat was truly spurred on by his eagerness to teach and was never shy to hop onto the forums and share his knowledge with others. He was also a member of the Skydiving Museum with roles as historian, museum curator, collections and curatorial committee.
    Although he has left us, Pat's contributions towards the sport shall be noticed for decades to come.
    Pat Works Memorial Thread
    We thank Pat Works for his considerable literary contributions to the sport and Scotty for being himself and bringing a smile to those around him.
    BSBD

    By admin, in News,

    The Last Frontier

    Down For 50 Jumps Alaska, And Annette O’Neil Tries to Rise to the Occasion
    Image Credit: Melissa Dawn Burns When I grapple my way out onto to the float, I notice two things immediately.
    First: It’s impossible to maintain a relaxed attitude while sitting on the pontoon of a floatplane in full flight. My mental image of myself doing this is going to take a major revision in the translation to reality.
    Secondly: My pilot chute has never felt so vulnerable in all my jumps. For almost the entirety of this once-in-a-lifetime skydive, as I keep a resolute smile trained on the camera aircraft flying next to us, a sepiatone clip plays over and over in my head: A pinch of (actually very securely and conscientiously packed) fabric managing to wiggle itself out of my (actually tight-as-a-new-pair-of-jeans) BOC and bolt mischievously between the pontoon and the step, deploying my beautiful new Crossfire one last time as we spiral, nose-first, into Alaska’s forested wetlands.
    But I digress.
    Before we came to Alaska, we were warned.
    “Ah, mosquitoes: Alaska’s state bird,” said one. “They don’t bite you. They carry you home and feed you to their children.”
    “You’re only there for five days?!,” breathed another. “Good luck with that. You should have planned on at least a week. You’ll never get a break in the weather.”
    “A college kid just got eaten by a bear while he was running a half-marathon out there in Anchorage,” chimed in another. “It chased him off the trail and into the forest. He was calling his mom as it was running him down.”
    Since my previous knowledge of Alaska was gleaned almost entirely from the Calvin & Hobbes ‘Yukon Ho!’ collection and a single viewing of Grizzly Man, I’m a receptive audience. I decide not to go for runs.
    When I arrive in Anchorage, I walk through a neighborhood from my airport hotel to a car rental storefront. The gardens, clearly nothing more than a salad bar for the local deer population, have been scrupulously stripped of anything edible. The one with remaining flowers is surrounded by a high fence. A woman crosses in front of me, walking her toy yorkie. She is carrying bear spray. I speed up, having no toy yorkie to cast off as bait.
    Image Credit: Melissa Dawn Burns When I get to the rental place, they issue me a Subaru. Clearly, they assume I’m not messing around.
    And clearly, we are not.
    The next morning, we—myself, my Down For 50 co-adventurer, Joel, and Brett, along for the ride on this particular state’s adventure—are on the road, bound for the town of Talkeetna. Ah, Talkeetna, Alaska: the acknowledged “doorway to Denali,” home to a heterozygous mix of hippies and lumberjacks, a private pilot mecca. The latter becomes evident even miles away, on the long road into town. The traffic overhead, after all, is significantly more congested and varied than the traffic on ground level. I’m glad I’m not driving; I’m transfixed looking out and up, checking out the rush hour trucking over the trees.
    Soon, following the instructions given in a flurry of arranging emails, we wind through a series of deeply wooded roads to arrive at our pilot’s lakehouse/hangar/office/flight school/community hub. The pilot himself, Don, is an affable fellow with a handsome mustache and the air of a man you’d immediately trust with your life. In fact, I do: When he suggests that we head over to the airport to conduct a quick aerial requisition of the available parachute landing areas “in the Breezy,” I immediately offer myself up. We hop in the rough-and-ready fuel truck (okay: the rusted-through blue pickup with a tank of AV gas in the bed) and off we go.
    The airfield is, to put it mildly, a candy store.
    All manner of aircraft sit gamely waiting, lined up as tidily and fetchingly as pretty ladies in an Old West brothel, all waiting expectantly for a pilot. Don and I cruise along in front of their expectant glass faces. Will we hop into the shiny red one? The bare-metal number that looks like it’ll have a sign on the door that says “silk scarves required”? The race-car-faced green-and-white one with its dancing shoes on and the freshly-chamwowed gleam?
    What’s this blue thing?
    As I’m wondering what I’m looking at, we pull to a stop. I take a closer look. This aircraft—I’m finding it difficult to call it a “plane”—is a robin’s-egg-blue latticework of metal with a wing laid across the top. There’s a prop. There’s an engine. There’s a Wizard-of-Oz-style picnic basket strapped in for storage behind an open, park-bench seat. It looks like the pilot is meant to perch on a piece of wood that sits directly in front of that.
    Suddenly, I realize that Don’s walking right towards it.
    Oh. The BREEZY.
    That looks pretty breezy, alright.
    Don hands me a motorcycle helmet and a bib jumpsuit “so he doesn’t have to worry about me.” I sit down on the park bench. I fasten the single lap belt as fastidiously as I can manage. Then, as Don works the engine like a lawnmower, I read the little metal placard fastened to the seat in front of me. It says, “Passenger warning: This aircraft is amateur-built and does not comply with the federal safety regulations for standard aircraft.”
    For some reason, that’s all I need to start enjoying myself. As we taxi out, I’m smiling so hard in my helmet it hurts a little.
    Twenty minutes later, I’ve found Jesus. I’m reeling from the feeling of being in the dead-on sweet spot of everything I love about flying and motorcycling and adventuring, all bound up into one ugly-ass not-quite-aircraft. We rode the river like a track day. We bounded over forested hillocks and gravel outcroppings and one enormous, out-of-place old satellite dish. We buzzed the lakehouse, waving at my astounded companions. As we land, I decide I might not be bluffing about wanting my fixed-wing license anymore. I tell Don.
    “Oh, you don’t need a pilot’s license to fly this thing,” he grins. “I can get you checked out on it this afternoon.”
    I backpedal. Hard.
    When we arrive back at camp, it’s late. It doesn’t look late, but it is late. Don, the pilots and us jumpers congregate on the dock, four floatplanes bobbing cheerfully around us, and go over the flight plan. As it turns out, they want to do our jump as a stacked formation—each of us in our own chariot—with queenly Denali throwing her white skirts around in the background. There will be a photographer (my preternaturally gifted, multi-hyphenate wonder of a friend, Melissa) passenging in a camera plane, ready to capture it. Our flight instructors thrill to the plan. I am assigned the one that’s mostly purple, bedecked with little hippie daisies. I am much pleased.
    After the meeting, Joel and Brett and I trundle up to the room that Don has graciously offered us, with its wide deck overlooking the twilit lake and the visiting pilots trading stories around the fire pit. We (very ineffectually) close the shades. We try to rest. Tomorrow’s a big day.
    Image Credit: Melissa Dawn Burns The night segues seamlessly into the morning. I wake when my sleep mask shifts and the 4:30AM sun sears my eyelids. Brett wakes when I bump his shins, hanging over the padded arm of the loveseat upon which he reclines. Joel is already up.
    Coffee in hand, we meander down to the dock under a cloudless, bluebird sky. There’s a four-month-old Bernese-Blue Heeler mix rolling around the lawn, doing its best to learn how to be a dog, its fur bunching adorably in handfuls, waiting to be grown into. Two chubby golden retrievers stalk fish offshore. Two pigs, wire-haired and curious, wander over and present themselves for belly rubs. We kit up.
    Taking off from water is a new experience entirely. It’s smoother than I think it’ll be, as the glassed-off lake is feeling nary a tickle of wind this fine, blue morning. Before I know it, we’re tooth-and-clawing our way up to six grand.
    “I forgot how pretty it is from up here,” my pilot smiles when we get to around four. I, for myself, had forgotten that most people—especially people around here—don’t blow through four grand like the front door on a cold night.
    Once we’re up at six, we circle, building the formation. Let’s be clear: these are really, really good pilots, but they’re not formation pilots, and there’s most certainly a trick to it when you’re wrangling low-performance aircraft that were made to do nothing of the sort. With the door open, six thousand feet over Alaska at the entrance to glaciertopia, it is cold. The twenty minutes it takes them to get together has me clinging to the back of the passenger seat like it’s a lover returned from the wars. I hope my hands still work when it’s time to get out.
    Image Credit: Down For 50 Which, coincidentally, it is.
    I see Melissa’s plane figuring its way alongside us. I uncertainly stick out a foot and screw it down onto the sandpaper surface of the step. Then I offer my body up to the full blast of the relative wind and lunge for the strut. I get a purchase. I, ungainly, perch. I’m doing it.
    There’s a yoga to staying here, one iron grip around the strut, the other hand “casually” in my lap, my brain stuck firmly to my pilot chute. Most of me aches to tumble into the familiar arms of freefall. The rest of me grabs that part of me by the cheeks and shouts into its face: For chrissakes, woman, pay attention to this and here and now, because it has an expiration date that is less than a minute in the future and this is what you came for.
    I heed it.
    Suddenly, I can see. I see the red and white camera airplane, framed by impossible mountains. Denali, of course; Mount Huntington; Moose’s Tooth; Little Switzerland. I see a sky of a blueness Alaska pretty much never sees, yet here I am, sitting in it. I see Melissa, concentrating behind the winking black eye of her lens. I can’t see them, but I feel Joel and Brett, doing their own pontoon yoga practice behind me and above me. I see so much of what I love about being in this world, hanging here and now in the suspended animation of complete attention.
    And then there’s the landing area below—a cleared construction pad, tucked up next to the Talkeetna airport runway. My pilot nods. I had planned some sort of fanfare for this exit. As it stands, however, all I can manage is a dizzy-eyed smile and a bog-standard hop. My pilot hollers to watch me go. She’s never seen anything like it before.
    When we land, parachutes slung over shoulders, I’m exhausted with the effort of committing it all to memory. I decide to walk back to the FBO and let it all process—Don’s generosity; the force of the community here; the entirely new sensations of flight. It overwhelms my hardware.
    It’s only later, as we hunch over plates heaped with pancakes, that I happen to glance at the collection of grinning pilots clustered in black-and-white on the Talkeetna diner wall. It crystallizes what I’m feeling: The momentum of a long tradition. Those smiling faces, proudly next to their planes, captured over the entire history of aviation, seem to prove that this place—Alaska, the last frontier—was created by and for adventure. Alaska turns energy to adventure like some sort of spiritual chlorophyll. Every single one of these guys grew tall, strong, enduring lives with the force of that alchemy. Alaska pushes out the envelopes of the willing like leaves bursting from ever-lengthening branches. This is its job.
     

    It does it well.

    -----------
     
    Down For 50, the first 50-state skydiving road trip accomplished in a single journey, is happening from May to October of this year. To follow the journey, to check out when it’s coming to your state or simply to help out (thanks!), visit downfor50.org.

    By nettenette, in News,

    Para Gear Photo Submissions For Catalog #81

    Para Gear is interested in photographic submissions that you may have for the 2017 - 2018 Para Gear Catalog #81. We have taken the time to briefly describe the format and certain criteria that we look for, in order to help you to see if you have something worth submitting. We have included examples of previous catalog covers for your reference, on Facebook or here on Dropzone.com
    Over the years Para Gear has used photos from all of skydiving's disciplines. We do not have a preference as far as what type of skydiving photo it is, rather we look for something that either is eye-catching or pleasing to the eye. In light of the digital age, we are also able to use photos that in one way or another may be less than perfect and enhance them, removing blemishes, flipping images, altering colors, etc.
    The following are preferences. However what we prefer and what we get, or choose, are not always the same. If however we came down to a choice between two photos of equal quality, we would opt for the one that met more of our preferences. We typically prefer that the photo be brighter. In the past we have used sunset photos and even a night jump photo, although by and large most of the photos are daytime. We like the subject of the image to have contrast with the background. Subjects that are wearing brighter more colorful clothing usually stand out more. We prefer to have the people in the photo wearing equipment since that is what we sell. Headgear, goggles, jumpsuits, altimeters, audible altimeters, and gloves are all good. We also prefer to see skydivers wearing head and foot protection.
    We do not print any BASE jumping nor any Tandem photographs. No submissions of these will be accepted. We are not interested an any photos of individual or groups of skydivers standing on the ground



    Front and back covers from the previous catalog (Issue #80)
    Our basic criteria is as follows:
    Vertical Format. The front and back covers of the catalog are both in a vertical format. We can use a horizontal (landscape) shot, as opposed to a vertical (portrait), and then crop it as long as the image lies within a vertical cropping.
    Photo Quality. The front and back cover shots will be printed as 8 ½ x 11 in 300 dpi format. Any film that can hold its quality up to this size and print dpi is fine. Digital format is preferred. In the event of a final cover choice, we prefer to be sent the original digital image or slide for getting the best quality out of the image.
    Back Cover Photo. The back cover photo is no different from the front except in one respect. We need to have room on the left side of the image for the thumb index. In the past we have taken images and been able to horizontally flip them thereby creating this room.
    Originality. Anything that is original, eye-catching, or makes someone take more notice of the catalog covers is something we look for. It could be a photo from a unique camera position or angle, a scenic skydive, shots under canopy, landings, etc. We look for photos that have not been previously published and most likely would not accept them if they have, as we want a photo that no one else has seen yet. We also do not want any photos that are chosen as the front or back covers to be used for other non Para Gear advertising for a period of one year.
    Para Gear offers $500.00 each for both the front and back covers we choose. Our current deadline for catalog cover submissions is January 16th 2017. Sending sample pictures by e-mail to [email protected], If you are sending sample digital pictures please note that they do not need to be in a very large format. If we like the sample picture we will then ask you to send the higher quality original. Please feel free to contact me directly with any questions.
    You can stay up to date with Para Gear via both Facebook and Twitter.

    By admin, in News,

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