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highfly

Ultimate skydiving set up?

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Four RED Cams with Canon L glass plus whatever else they've got going...
This is an awesome undertaking. Even if it fails, it's massively informative and exciting.

One thing that's a little skewed; it suggests they're broadcasting 4k video back to earth. I'm questioning that. Recording 4k is one thing; punching it out over airwaves is entirely something else.

Looking forward to seeing this one!

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Four RED Cams with Canon L glass plus whatever else they've got going...
This is an awesome undertaking. Even if it fails, it's massively informative and exciting.

One thing that's a little skewed; it suggests they're broadcasting 4k video back to earth. I'm questioning that. Recording 4k is one thing; punching it out over airwaves is entirely something else.

Looking forward to seeing this one!



Actually, they are not L glass. They seem to have chosen the Canon 10-22 in front of the RED. For the 5dmarkII they have chosen the 15mm fisheye.

I guess they have the 2/3 RED cameras instead of the 35mm which explains the 10-22´s. Interesting that they choose the smaller sensor, since the 35mm + a 16-35 f/2.8 might perform better in low light. (assuming they are shooting in low light..)

Also choosing the 5Dm2 which has a slow fps is a weird choise for this kind of a shoot.. (edit: also assuming the 5Dm2 is for shooting stills)

Wonder if they even know what they are doing ? :P

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Four RED Cams with Canon L glass plus whatever else they've got going...
This is an awesome undertaking. Even if it fails, it's massively informative and exciting.

One thing that's a little skewed; it suggests they're broadcasting 4k video back to earth. I'm questioning that. Recording 4k is one thing; punching it out over airwaves is entirely something else.

Looking forward to seeing this one!



Actually, they are not L glass. They seem to have chosen the Canon 10-22 in front of the RED. For the 5dmarkII they have chosen the 15mm fisheye.

I guess they have the 2/3 RED cameras instead of the 35mm which explains the 10-22´s. Interesting that they choose the smaller sensor, since the 35mm + a 16-35 f/2.8 might perform better in low light. (assuming they are shooting in low light..)

Also choosing the 5Dm2 which has a slow fps is a weird choise for this kind of a shoot.. (edit: also assuming the 5Dm2 is for shooting stills)

Wonder if they even know what they are doing ? :P


In the vid, it's not L glass, but Paul Shull from Canon had told me they'd ordered 16-35L for this which makes sense @2.8. Perhaps they aren't on the cameras for the news story/puff piece? or perhaps they changed their minds.
I agree, the 5D is a wierd choice...even for shooting stills. Weird for stills, weirder still for vid. Burst speeds would be very important for the exit, I'd think.
I'd submit they know a LOT more about what they're doing than Kittenger's crew, with all the space launches, space data available, etc. Some of it is a broad guess, but who of us wouldn't be a bit lost? It's never been done at this level.

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