Introducing The Squirrel Snatch BASE Pilot Chute

    The Squirrel Snatch is a revolutionary new product that sees the first BASE targeted development of a toroidal design for a pilot chute. Although the design has been used extensively in the development of non-sport parachutes for over 40 years, until now it's never been manufactured for BASE or skydiving. The idea was born from a discussion between the company's co-designer and CRW expert, Jim Rasmussen.
    The toroidal design (also known as a Pulled-Down-Apex design) that the Snatch uses, is a complex and costly product to produce and was no small undertaking by the company. The Snatch has a three dimensional partial toroidal shape and is joined together with two mesh cones, allowing for extremely high drag co-efficiency. Squirrel Wingsuits discuss the differences between the shape of a toroidal design and that of the common pilot chute by saying, "Traditional PCs are two circles sewn together around the edges, typically one of ZP and one of mesh, with a piece of line or webbing connecting the center of each circle together at a specific distance. When pulled from the center of the mesh circle and dragged through a fluid, it inflates into a rough approximation of a pulled-down-apex shape, but with a large amount of distortion and error, with a wrinkled and asymmetric circumference. Imagine crumpling up a single piece of paper until it forms the 3D shape you want to design - it won't look good, nor be an accurate representation of a 3D surface. Yet that is the current basis of traditional PCs: an approximate and inefficient 2D design meant to perform a task that requires a 3D shape."
    Squirrel used an ellipse with a 7:10 (H:W) ratio, with an axis offset of 20% of the width in the development of the torus. The tangent formed with the cones and partial torus was calculated precisely to ensure that the ZP had a smooth transition with the mesh. This allows for the ability to maintain a smooth error-free perimeter on the pilot chute.
    Innovation aside, the most impressive part about the Snatch is the enhanced performance over regular double circle pilot chutes. Because of the shape of standard pilot chutes, the surface area is usually met with an imbalance of stress, with some areas being pulled more than others, and material being "loose". The randomness aspect that is present in these regular pilot chutes gets minimized with the toroidal design of the Snatch. Unlike normal PCs which are constantly changing shape as airflow moves around the creases and wrinkles, the toroidal design inflates to its intended shape and remains that way, without the pulsing that is usually witnessed.
    When inflated, the Squirrel Snatch takes the shape of a 3D object, with specifically calculated gores.
    This increase in inflation performance is easily seen in testing where far superior stability was witnessed in both wind tunnel and field testing.
    Symmetry is one of the most important factors in the performance of a pilot chute, and each Snatch is guaranteed to be symmetric, with the build tolerance being set at a stringent 1mm +/-.
    The focus with the Snatch has not only been on general performance and innovation, but also on safety. Squirrel decided that due to the suggested risks involved with heavy handles, and their involvement in entanglements, that they wanted to produce the lightest possible design, without compromising on durability. The decrease in weight means that bridle entanglements become less likely. The Snatch uses hexagonal carbon-fiber handles for sizes 32, 34, 36 and 38. The 42 featured a pad-patch top with no carbon, while the 46 and 48 are handle-free, for hand held use.
    The Snatch already has several skydivers wondering whether or not they will be able to use it on their skydiving rig, or whether the company plans to release a skydiving specific toroidal PC in the future, as well as whether or not this is a development that could change the development and focus of PCs in general.
    Squirrel have open sourced the design, in the attempt to get more BASE jumping what they consider to be a higher performance and safer design. For those looking to build their own toroidal PC, you can get in contact with Squirrel via e-mail and they will provide you with the 2D patterns for all sizes.

    By admin, in Gear,

    GoPro Hero 4 - Release Date and Specs Revealed

    GoPro have announced the specs and release date for the highly anticipated Hero 4 action camera, which will come in three models. The new series of GoPros are scheduled for release around the middle of October this year, and will feature the standard GoPro Hero 4, a GoPro Hero 4 Silver and then the top of the range GoPro Hero 4 Black.
    New Key Features
    Some of the highlights with regards to the specifications of the new GoPro range is the addition of 30fps recording at 4k resolution that is found with the Black Edition, which sees a big step up from the previous models 4k video recording, which only allowed for 15fps recording at 4k. The increase in frames from the Hero 3 will mean that users will find more versatility with their high resolution video recording.
    Another exciting new addition is that of a touch screen on the Silver edition. While GoPro has always been a reliable camera with regards to build and video quality, one aspect that many have found lacking has been the usability of the camera menus, which are handled with the on camera buttons and a small display. Now GoPro have gone and added what is likely to be a very welcomed addition in that it has introduced for the first time in the GoPro series, a touch screen which will no doubt allow for easier navigation of the menus, as well enabling the ability to preview your images (worth noting that the Hero 4 claims to have a new interface for quicker menu navigation too). It is however unusual that the touch screen feature is only available on the Silver edition and not on that of the more expensive Black edition, nor the entry level version of the Hero 4. The most likely reason for the inclusion in the Silver edition is that GoPro is marketing the new series towards three general groups of people, and the mid-range target market is more likely to desire the touch screen, without having to purchase the LCD "BacPac" accessory, which sells for another $80. Though of course it is still possible for one to use their smartphone as a remote for the camera.
    As customary with a new GoPro release, the company has focused on increasing the general image quality achieved and further enhancements have been made on ensuring better quality in low-light.
    GoPro Hero 4 Black
    The GoPro Hero 4 Black, is as mentioned above, the top of the range for the Hero 4 series and thus the most powerful of the lineup. A new processor is claimed to be twice as fast as that found in it's predecessor. The Hero 4 Black will not only have video performance enhancements, but also step up the game with far superior audio recording. There are three modes of shooting with regards to field-of-view: Narrow, Medium or Ultra Wide.
    There will be the ability to manually adjust settings like ISO limit, exposure and colour for both video and photos. The camera will include built-in Wi-Fi and Bluetooth.
    Waterproofing down to 40 meters will be standard.
    GoPro are seemingly targeting the Hero 4 Black to those looking for the absolute best quality and features available in an action camera, specifically professional use and dedicated adventure sports enthusiasts who are looking to create high quality video footage using the camera.
    The Hero 4 Black will cost $500 on release.

    GoPro Hero 4 Silver
    The GoPro Hero 4 Silver seems to be targeted to your average action cam user, from the weekend surfer to the seasoned hiker, or even tourist. The touch screen that is included on this model will make it easier to navigate and preview what you've taken. This is especially useful for those who want to use the photographic functions and treat it as both a still camera and video camera. The image sensor on the Silver, like the Black - allows for 12 megapixel images at 30fps.
    This model is still more than adequate to provide quality video footage and also offers 4k resolution video recording, but only at a maximum of 15fps.
    With functionality such as Wi-Fi, Bluetooth and Waterproofing being the same as that of the Black, one can see why there is only a $100 price difference between the two. The Silver will sell at around the $400 dollar mark.
    GoPro Hero 4
    The Hero 4, is the entry model for the series and comes in at an extremely affordable $130. It records in full 1080p resolution at 30fps or 720p at 60fps. The sensor of the camera allows for 5 megapixel images, offering 5fps bursts.
    The market for this entry level camera would be those looking to enjoy the benefits of an HD recording camera, while not having to fork out more than they need to. The use of action cameras in every day life has become exceedingly common and this camera will offer more than enough for a large portion of GoPro users.
    This camera could also work for those who are perhaps wanting to try something brave with their camera to get a certain shot, but do not want to risk the potential damages to a higher priced model.
    We haven't seen much video footage yet, so it is difficult to put these models side by side to see exactly what one can expect from each one, and the difference in quality between models - but it will no doubt only be a matter of time before we see what this latest range is capable of.

    By admin, in Gear,

    New Sony Action Camera Goes Mini

    Sony has unveiled its latest action camera which focuses on reducing size. The Sony Action Cam Mini (HDR-AZ1VR) was announced earlier this month at the IFA 2014 electronics show in Germany. While Sony's action cameras have always been small, the electronic giant decided that they could reduce the size even further by removing the GPS functionality from within the camera and instead moving it to an accompanying wrist-mounted device.
    The Sony AS30 and Sony AS100 weighed 90 and 67 grams respectively. The new Action Cam Mini weighs in at 4 grams lighter than the AS100, at just 63 grams with the battery included. The size of the camera itself is quite a bit smaller than both the AS30 and AS100 with a Width/Height/Diameter measurement of approximately 24.2 x 36.0 x 74.0 mm, while the AS100 had a height of 46.5mm.
    The smaller size is going to be good news for skydivers who are looking to minimize the risk of snag for cameras that are helmet mounted.
    As to be expected the Action Cam Mini will shoot in full HD with options to either shoot at 1080p at 60 or 30fps, or to shoot at 720p with the option for 120 fps slow motion recording. The camera will include an F2.8 Zeiss lens with a 170 degree field of view and an Exmor R cmos sensor. Still photographs can be shot at an impressive 11.9 megapixels. It will also include Sony's trademarked SteadyShot image stabilization and be splash proof, with a waterproof housing included that allows for 5m of depth protection.
    The wrist mounted device that comes with the Sony Action Cam Mini allows for data transfer between the camera and the internet, allowing users to live stream camera footage. Something else the wrist mount does that may prove invaluable to those who have the camera mounted, is that it both acts as a remote and offers live view. This will allow users to see exactly what is being recorded and adjust body position if needed, to achieve specific angles. It can control up to five cameras at once and will be water resistant.
    While we have yet to see any footage from this incredibly small camera, if Sony's other action cameras are anything to go by, we can expect a lot from the Sony Action Cam mini. During our action camera shootout we were extremely pleased by the results of the Sony AS100, which took the top spot.
    Release date for the Sony HDR-AZ1VR is late October.

    Image sensor
    1/2.3-type back-illuminated Exmor R CMOS sensor with 11.9 megapixels (effective, approx.)

    Image processor
    Video formats

    XAVC S: 

    1920x1080 60p/50p(50Mbps)

    1920x1080 30p/25p(50Mbps)

    1920x1080 24p(50Mbps)


    PS:  1920x1080 60p/50p (28Mbps),

    HQ:  1920x1080 30p/25p (16Mbps),

    STD: 1280x720 30p/25p (6Mbps)

    SSLOW: 1280x720 120p/100p (6Mbps)

    VGA:  640x480 30p/25p (3Mbps)

    HS120(HS100): 1280x720 120p/100p (28Mbps)

    Lens type
    ZEISS Tessar® F2.8
    Angle of view

    SteadyShot OFF: approx. 170°

    SteadyShot ON: approx. 120°

    Image stabilisation
    Stereo microphone
    Multi/Micro USB Terminal (Supports Micro USB compatible devices)



    WxHxD 24.2 x 36.0 x 74.0 mm (approx.)
    Media card compatibility
    MP4: Micro SD/SDHC/SDXC Memory Card (Class 4 or higher), Memory Stick Micro™ (Mark 2)

    XAVC S: Micro SDXC Memory Card (Class 10)

    By admin, in Gear,

    Two New Suits from Squirrel

    Squirrel have recently released two new products to their wingsuit inventory, with an entry level wingsuit called the Hatch and an advanced wingsuit called the Colugo 2. The Colugo 2 was announced for release in June, but was delayed until the Redbull Aces event, which saw the testing of technology included in the suit. Andy Farrington who was flying a Squirrel prototype which included this new new technology found in the Colugo 2 came first in the event.
    Colugo 2
    The original Colugo suit was met with positive reviews from owners of the suit, with many noting how quick it was to start in a BASE environment. The Colugo 2 has taken the strengths of its predecessor and included new technology and enhancements in order to make it an even stronger wingsuit. The Colugo 2 has a smaller surface area than the original with a slight change in the arm wing design. These changes were made to increase the efficiency of the profile and leading edge. Squirrel advise that while the Colugo 2 is an ideal choice for experienced wingsuit BASE jumpers, the Aura remains the best suit for more technical exit points. The Colugo looks to be great for both BASE jumpers and skydivers, with the suit catering well to glider-performance focused based jumps and skydive flocking. A better trim speed and glide range makes the Colugo 2 fly both further and faster than the original Colugo wingsuit.

    The handling of the C2 is said to be far superior to that of the original Colugo, with a thinner profile and more efficient leading edge. The C2 is all about speed as well, with the reduced surface area and less drag - you can expect to experience higher speed than those produced by the Colugo.
    The Colugo 2 from Squirrel is an agile mid to large sized wingsuit that aims to provide high performance flying in a competitive slalom environment, focusing on carving and speed. Though the suit is also able to provide pilots with quality floating.
    One of new features on the Colugo 2 is the AFLE (Andy Farrington Leading Edge), as they've called it. The AFLE is a new design of the leading edge, where the arm zipper on the wing chord has been moved to increase the amount of 'effective edge', in turn improviding the shape and smoothness - which then increases performance.
    Pre-orders are now open with the suit expecting to ship by the end of August.
    Read more about the Colugo 2 Wingsuit
    The new Hatch suit focuses primarily on being the easiest suit to fly, aimed at beginner wingsuiters who are looking for something easy, comfortable but also reliable. The Hatch has many of the features found on the other Squirrels suits, including the RAD system, tri-layer leading edge construction, reinforced inlets and innie-outie zips. The Hatch doesn't require cutaway cables, and in turn allows for direct access to the risers and brakes during and after deployment. A safety feature that Squirrel feel is vital to every wingsuit. The leading edge of the suit is said to be based on the tried and tested method Squirrel have used in their other suits of combining both comfort and performance.

    The Hatch is certainly aimed at those looking to purchase their first wingsuit and for skydivers that are new to wingsuiting. Though Squirrel seek to stress that the Hatch is not only for beginners and is a competent flyer in situations where agility and versatility are required. It is also recommended as a good suit for more advanced wingsuit pilots who may be new to backflying or acrobatics and are looking for a comfortable, low surface area suit to practice with.
    Prior to the release of the Hatch, the Swift seemed to be Squirrel's go to suit for less experienced pilots looking for something easy to fly. It will be interesting to see how the two suits hold up against each other.
    Read more about the Hatch Wingsuit

    By admin, in Gear,

    Digital or Analog Altimeter

    Altimaster Galaxy We all know there are some hot debates in our sport: RSL or no RSL, AAD dependency, and exit separation are well-known dead horses. Another topic certainly worthy of discussion is the choice between analog and digital altimeter displays. Asking that question will yield a variety of opinions (no surprise there) and will likely be inconclusive.
    First, a clarification: this discussion revolves around the altimeter display, not the underlying hardware. Altimeters with mechanical internal aneroid capsules have analog displays; those with electronic pressure sensors can have either a digital or analog display. Now that we have cleared that up...
    Analog dial faces of all types commonly have numerical graduations and colored segments to indicate the status of what is being measured. Alti-2’s Altimaster Galaxy, for example, is first graduated in thousand foot increments starting at the 12 o’clock position (zero). There are yellow and red caution zones placed at commonly used altitudes to provide a visual warning at a glance. Digital displays, like Alti-2’s N3, provide a numerical altitude reference. N3 provides a three-digit decimal altitude in free fall and four digits under canopy. So – which is better? It really boils down to three things: familiarity, specific application, and personal preference.
    Many skydivers stick to what they learned to use as students. Later in their skydiving career they may choose to “re-train” that familiarity and transition to a digital display. I did so myself when Neptune hit the market nearly ten years ago and have been a huge digital display fan since then.
    Application brings a different frame of reference entirely. Let’s take a look at two commonly used analog dials, starting with the temperature gauge in your automobile. My dear old Dad taught me to look at my gauges periodically like a pilot does cross-checks. A quick glance at the temperature gauge should show the pointer dwelling just slightly left of center, or about 40% of its travel. I have no earthly idea what specific numerical data that conveys – I glance at the gauge, my brain processes the placement of the needle based upon my training, and I know that I am good to go! Now consider the gauge on a fire extinguisher which contains a small green segment and a large red segment. A quick glance reveals the pointer dwelling in the green or the red – good or no good. In both of these cases, an analog display is preferable to the way I do business.

    Altimaster N3 What about skydiving? From day one we are asked to apply specific action to specific performance altitudes. As an AFF Student, we may be taught to recognize 5,500 feet on our altimeter to trigger a critical action: wave off and pull. It can be argued that the direct conveyance of that numerical data from a digital display eliminates the need for the brain to convert the pointer’s indication on an analog dial face into numbers for an action to be triggered. If an AFF Student recognizes 5,500 feet on his digital display, it directly sends him into action.
    Then there is personal preference. Electronic altimeters with a digital display often have other features like logbooks, timers, and the like that take more time to learn. Some skydivers just love the simplicity of turning a knob to zero the pointer and off they go.
    Mechanical/analog altimeters are usually more economical for skydivers on a budget. Electronic devices require power from replaceable or rechargeable batteries; mechanical devices do not. There are several other advantages and disadvantages regarding the mechanism which can also drive personal preference. Factor in accuracy, calibration requirements, form factor, mounting options, ability to read altitude in low-light or darkness, waterproofing, convertibility between visual and audible, and others – the decision becomes more complicated.
    So, if you are in the market for an altimeter, or are thinking about switching from analog to digital, I suggest you try them both. Put your trusty Altimaster II in your helmet bag and borrow an N3 from a friend or even your local gear store. Make a few jumps reading digitally conveyed numerical altitude and see what you think! In the meantime, I will be thinking about what advances in technology might be on the event horizon.
    Arrive safely,

    John Hawke (slotperfect) is General Manager of Alti-2, Inc. in DeLand, Florida, USA

    By admin, in Gear,

    Fluid Wings Announce Prime Hybrid Canopy

    Fluid Wings is a new and innovative company based in DeLand, Florida - which is aiming to close the gap between the parachuting, speed flying and paragliding. The company was born through a love of human flight, and focus on an engineering-based approach. Fluid Wings draws from the expertise of Scott Roberts, a skydiver with over 15 years experience, who has been competing for more than a decade; Kevin Hintze, an active pilot, paraglider, speedflying instructor and test pilot; as well as Shane Shaffer, chief test pilot and production lead.
    From the first of June this year, Fluid Wings will begin production on their newest main - The Prime. The Prime will be a 9-cell hybrid main, available initially in sizes from 150-190 square foot in a combination of ZP and low porosity nylon. The canopy is aiming to provide pilots with a fun and predictable flight, with focus also being placed on how easy it is to pack. The Prime will look to cater to jumpers of all experience, being easy enough to handle for newer jumpers, while still being responsive enough to be fun for the more advanced skydivers. Stock colors are Royal Blue top skin and stabilizers, with a white bottom skin and ribs. Please note that bottom and rib colors are limited to white due to color section of low bulk fabric. The canopy ships with Vectran lines and soft-link connectors, with a low-bulk option packing up to a size smaller is also available.
    “The Prime is responsive and playful, while still easy to manage. It has a good glide for those long spots, with a nice strong flare for tip-toe landings,” said Scott Roberts of Fluid Wings. “We like her a lot and think jumpers will too!”
    The Prime will retail for $2090 with all options. You can contact Fluid Wings at info@fluidwings.com for more information, purchases or demo requests.

    By admin, in Gear,

    Best Action Camera 2014 - Ultimate POV Camera Shootout

    Action cameras aren’t merely changing the production world, they have become a staple of the production world. Getting the inside shot is simple with POV cameras and the number of choices in this niche world is broad and perhaps daunting. Action cameras are inexpensive and provide a simple means of additional camera angles to any production.
    In this review, I’m going to tackle all of the “name-brand” cameras available out there. This article will not provide the answer to “which camera should I buy?” The range of criteria is so broad that the question is beyond the scope of a single review. This review will provide information about which action-camera is best suited for specific criteria and provide information that may help you make informed purchasing decisions.
    I’ve gathered what I believe to be the most viable options for most “extreme” sport enthusiasts for shooting broadcast-quality video. During this review, each camera is set to 1920x1080, 30fps (except where otherwise noted).
    The criteria for inclusion:
    Price point (150.00-400.00 USD)
    Bit-rate (16Mbps or higher)
    Codec (must be non-proprietary) The selectees:
    GoPro 3+ ($399.00)
    GoPro 3 Black ($349.00)
    Sony AS100 ($299.00)
    Sony AS30 ($299.00) JVC Adixxion ($299.00)
    Midland XTC400 ($249.00)
    Polaroid XS100 ($169.00)
    ReplayXD Mini ($199.00) Liquid Ego ($179.00)
    Drift Ghost S ($399.00) Scoring Procedure
    With the criteria determined, particpants selected, I created a scoring sheet that could be used as a reference throughout the process. The goal is to be as objective as possible in a subjective conversation.
    A panel was selected, four people who would review images from the cameras and choose the best image when image quality was relevant. Other factors such as battery life, wireless functionality/reliability, audio features/quality are objective. Scores are based on how these functions are implemented and may be relied upon.

    For this shootout I mounted 17 action cameras on a single helmet, then took it skydiving, snorkeling, zip-lining, bob-sleighing and motorcycling to enable accurate side-by-side comparisons of each camera. For example in the battery life test, the Liquid Ego went for nearly 5 hours of record time, blowing through a few cards, while the Garmin VIRB and GoPro 3 Black barely reached 50 minutes of record time. The Liquid Ego nets a score of “5” while the Garmin VIRB and GoPro 3+Black earn a score of 2. The Sony AS series weighed in at just over 2.75 hours earning a score of “4”. Had it not been for the curve-altering record times of the Liquid Ego, the Midland and Polaroid cameras, Sony’s AS100 would have won this category. Regardless, with a linear scoring value of 0-5, the weighting may seem unbalanced from time to time. Please note that the score card contains two scores; one based exclusively on image quality, and the other score relevant to the overall product experience.
    Most of the cameras have tweaks and settings that allow them to be the best they can for specific situations. Rather than setting each camera to its best settings, all cameras were used exactly as they come out of the box. In other words, once the box was opened the battery was charged, a card inserted into the camera and formatted, it was put to the test.
    Sony, GoPro, and ReplayXD all have internal tweaks accessible via either proprietary software or .txt files. Each allow for an optimized image even though I’ve avoided using any of these optimizations.
    After all the results were in and the panel gave their feedback, here's what the final result looked like. I sorted the score sheet below by total score but you can click on any header to sort the table by that column and see how the different cameras compared in any specific test. I discuss each test area in detail below.
    Score Sheet
    Image Quality
    Winner in Image Quality - Sony AS100V
    The subject of image quality is subjective. The four panelists had to choose from a variety of videos (a few of which are linked in this article). Factors involved in the comparison are dynamic range (darkest to the brightest representation of image content), saturation, color accuracy, codec compression/banding/pixelation, motion management, and frame to frame blurring.

    Watch the Wingsuit Exit Video For example, in the image above, the center top allows for the lake in the background to be seen, while also allowing for the darker interior and tires of the aircraft to hold details. There are no blowouts of the highlights, and the reds, greys, whites, and orange colors are all accurate to original. Watch the YouTube-linked video at the 4K resolution on YouTube for the best experience and ability to determine which image you find best. Each camera is displayed at approximately 720p.
    You’ll likely want to turn off your audio as there is no usable audio content.

    Watch the Zipline Video  
    Watch the Bobsled Video In the above test, one of the cameras failed due to (I believe) card error. The high motion, high contrast, light and dark areas for exposure testing provides for a terrific challenge. Even in the still framegrabs, the torture is evident in blur, color, and compression artifacting.

    Watch Wingsuit Overhead Video The complexity of the ground coupled with the high motion makes for a good test of contrasts and detail management in moving platforms. Note that the majority of the cameas are set to an FOV of 120 degrees, as that’s how they come out of the box. A couple cameras are 170 degrees.
    All panelists unanimously chose this action camera over all others in all resolutions and framerates. The GoPro 3+ came in second. The Sony AS30 takes third prize, and an honorable mention goes to the Drift Ghost S. In well-lit situations, the Midland and Garmin VIRB cameras really surprised me too, but at 35Mbps (this camera also does 50Mbps in XAVC-S mode, not used in this shootout), the Sony AS100 sweeps the image quality score.
    Battery Life
    Winner in Battery Life - Liquid Ego
    This was a stunner. I left all the cameras running/recording and went to dinner. Battery life would be lessened by movement, but the bigger point was how long the cameras could record. In most cases, the camera battery died prior to the card being filled (I used 16 GB cards for this test). The Liquid Ego kept running and running, filling a 16 and then 8 GB card before finally dying at just under 5 hours in 1080 mode. Wifi was disabled (all wifi was disabled for most tests).
    This is one of the least expensive cameras in the shootout; it has some shortcomings, yet one major bonus is that this camera, removed from its own mounting clip, can be fitted to GoPro mounting systems. Brilliant move on the part of Liquid!
    What I didn’t like about this camera are the number of button presses to record in 720-30p or 60p without wireless enabled. However, shooting in 1080 mode is as simple as turning it on and hitting record.
    When in the waterproof case, it’s impossible to see the LCD display. For budget users, this is an easy camera to like.
    Winner of the Action Camera Profile Category - ReplayXD Mini 1080
    At slightly larger diameter than a nickel this camera is rock-solid, doesn’t need stabilization, and blew my mind when I found I could drive a car over it. So small to present less of a snag hazard for skydivers, this tiny marvel is also perfect for UAV/Drones, hiding on cars (ReplayXD is the camera most used in professional auto-racing) and so small it can even be placed upright under a skateboard. It’s tiny and weighs virtually nothing. The camera also offers a threaded head so that lens adapters may be used for either lenses or filters for better image. This is tremendously valuable for outside photography, where an ND filter will immediately remove the heavy contrast and juddered playback, while reducing jello-cam (rolling shutter) issues. JVC, Polaroid, and Garmin all have the ability to come in fairly high in this conversation except their mounting systems are not only flimsy, they’re high profile and a snag hazard. Using these cameras without their manufacturer-issued mounts will provide a very low platform and a much more stable image.
    Testing Locations
    The waters of Ocho Rios Jamaica, Mystic Mountain for snorkeling, bobsled, and zipline testing
    Lake Elsinore California for skydive tests
    Virgin River Gorge for road/motorcycle testing
    Toronto, Ontario for slow motion and other comparisons Although durability wasn’t a measured factor in this shootout, ReplayXD would easily win the durability category (comparing cameras out of their waterproof box). There simply isn’t a tougher camera on the market. Other features I like; the camera offers up timecode for professionals, external audio inputs and user-controllable image quality (Saturation, Exposure, Audio Gain, Sharpness, etc).
    Winner of the Wifi Category - Sony AS100 and Liquid Ego
    This was a tougher call. Other than the Replay Mini, all of the POV cameras offer wifi control or connectivity to a mobile device. I tested the systems on a Samsung GalaxyIII cell and Samsung Galaxy Tab2 tablet. All devices connected successfully. All devices allow for some level of “streaming preview.” Some devices such as the JVC Adixxion allow for streaming directly to UStream if the user has an account and is fortunate enough to be very close to a WAP. Streaming for preview is a serious drain on battery life, rarely works in a moving environment, and is overall somewhat useless beyond setting up a camera angle or adjusting settings (in this writer’s view). Sony’s Play Memories application was difficult to use on their early AS15 models but on the AS100 they’ve gotten it right. It’s install and done. The same can be said for the Liquid Ego. JVC’s Adixxion was a bit of a struggle but it did work once all the paths were traveled properly.
    The same can be said for the Garmin VIRB, the Polaroid X, and the Midland XTC. GoPro was also reasonably easy to set up so saying that the Sony and Liquid win this category is essentially a small thing. In the end, these two were simply easier/faster to set up than the others by a small margin of time and/or frustration. It should be mentioned that the JVC Adixxion was the most difficult to set up. They use a broader-scope application called WiVideo, designed to work with a host of action cameras.
    Wet Use
    Winner of the Wet Use Category - Three Way Tie Between GoPro3+, Sony AS100 and Drift Ghost S
    What made the difference in this category is “how deep can they go and how easy are they to operate under water?” I did not take the action cameras to their rated depths and I am relying on the manufacturers for accurate information on how deep these POV cameras can go. With that said the Replay Mini, Garmin VIRB, Ghost S, Polaroid XS, do not require water housings.

    Watch Underwater Video After spending 3 hours in the water with the action cameras, water was no issue for any of the cameras. GoPro and Sony both include the waterproof housing in the purchase price. Garmin, Midland, Liquid, and even ReplayXD (for depths greater than 12’) all require the purchase of a waterproof housing for wet use. For underwater image quality, Sony AS100 and Drift Ghost S provide the most accurate image, yet the GoPro has a slightly smoother color saturation that is pleasing to the eye. For reasons I could not figure out, the Sony AS30 fogged in the lens. This didn’t happen with the AS100 and more curious, it didn’t happen with the hand-held AS15 I was using to document the event. The fogging didn’t affect the image much, but it was there. What I liked most about the AS100 is that the LCD panel is large and it was easy to see what was going on with the camera while under water.
    Winner of the Audio Category - Sony AS100
    With external microphone-in that requires no adapters, AGC, and high-end audio converters, this camera offers wonderful compressed audio, equal to the audio recording capability of significantly more expensive cameras. The Sony AS30 also offers external audio inputs, but is a bit less flexible, as the audio input is hidden under the connection cover.
    ReplayXD also offers external microphone input as does the GoPro 3+ but both require larger, more bulky adapters that cost more dollars. ReplayXD offers a user-controlled gain function which is a real benefit to professionals needing nat audio from locations and in loud environments (such as auto races or helicopter skins). However, the Sony AS100 offers not only the external microphone input on the bottom of the action camera (obviously cannot be used in the water housing), but a higher grade of DAC (Digital Audio Converter) than its categorical counterparts.
    Ease of Use
    Winner of the Ease of Use Category - No Clear Winner
    Most of the cameras offer a one-button on/record feature. Out of the box the Sony series, Polaroid, Midland, Garmin, and ReplayXD cameras offer a one-button record feature. GoPro offers one button record as a menu feature, and the Drift can be programmed to loop and record when turned on for ease of use. However, out of the box there are several that are easy to use as point and press action camcorders and so there is no clear winner.
    If menus are the measure then the Drift Ghost S, the Garmin VIRB, and the JVC Adixxion win for graphic interface. Sony AS series win for clear instruction and ease of navigation. The GoPro wins for sheer depth of options. I’m not a fan of some of the GoPro surface options that make the menus long and kludgy to navigate. Curiously enough, ReplayXD has no menu; all controls are done in a .txt file set on a phone, tablet, or computer. However, their menu options go deeper and are more relevant to picture quality than any other POV camera available.
    Winner of the Mounts Category - Replay XD Mini
    Although the (likely obvious) winner for mounts would be GoPro, it actually isn’t. On sheer numbers of achievable angles and mounting systems, REPLAYXD Mini takes the prize with GoPro following a close second. There is a reason there are so many mounting kit options for some of the cameras out there; their factory mounts are terrible.
    Many of the parts and pieces available for various POV cameras are designed to compensate for the initial weaknesses of the mounting system. Mounting systems matter far more than most users of action cams realize. If the mount is not 100% solid then the image will be unstable and aside from needing stabilization in post (which affects image quality), the image will likely incur ‘jello-cam’ also known as “rolling shutter,” which cannot be repaired.
    In this video, both are out-of-the-box mounting systems. Note the difference in stability. A rock solid mount needs no stabilization work in post. Choosing the right mount system is important. A weak mount will be buffeted by the wind, bounced around by roads, surf, or the turbulence that affects a UAV camera platform.
    Internal stabilization is a tremendous benefit if it is done well. The Sony AS100 has a tremendous stabilization system (Sony has long been famous for their BOSS camera stabilization) matched by no other low-cost camera whether a POV/Action camera or a larger palm-corder category camera.
    This stabilization system makes the AS100 superior for use on a UAV platform, as it is not susceptible to jello cam, is very light weight, and allows for long battery life. Matched with a two or three-point gimbal flawless smooth video is possible for very little cost on a drone system.
    JVC and Garmin VIRB ELITE offer stabilization, but at a tremendous cost of resolution and color saturation.
    Winner of the Slow-Motion/Overcrank Category - Sony AS100
    It’s no surprise that the newer Sony AS100 wins in this category. Only Sony and GoPro offer high framerates of 120 or 240 frames per second, so only the Sony AS100 and the GoPro 3+ were tested for these features. Most every action sport benefits from slow motion, so with the ability of the Sony AS100 to sync up to five cameras with one button push, it makes for a wonderful mix of slow motion and normal motion possibilities.
    GoPro 3+ shoots 240fps with a resolution of 720 x 480 pixels and Sony shoots at 800x480 pixels. The Sony has been cropped to match the GoPro3+. Both cameras would benefit in their “pro modes” where GoPro offers up to 35Mbps and Sony AS100 offers 50Mbps in the semi-professional XAVC-S mode. However, since these tests are entirely “out of the box,” it was not appropriate to compare the slow motion at anything but the stock settings.
    Low Light
    Winner of the Low Light Category - Tie Between Sony AS100V and GoPro3+
    This is a challenging category for most of these cameras. All of them have very small imagers and lenses that shoot at a very high resolution. Packing so many pixels onto very small surfaces means very little light can get into the individual pixel sensors and therefore, noise is usually part and parcel of for each of these POV cameras.
    GoPro offers the smoother color representation with slightly more noise. Sony is brighter with less noise, but a blue cast is apparent in both Sony cameras. The additional information in the 50Mbps file allows for a cleaner color correction, yet the smoother color in the GoPro 3+ means less need for color correction. Pushing the color in the GoPro3+ at 35Mbps brings up the noise pretty quickly, so if matching cameras is part of the workflow, beware that matching higher grade formats might be difficult. It’s a choice between removing blueish casting or a fair amount of noise reduction processing in the professional environment. On a personal note, I’d prefer to remove/reduce the blue cast.

    Watch the Low Light The table cloth in this image is purple, not black. The GoPro3+ (lower right) is smoother in its dynamic range but less accurate than the Sony AS100V (upper left). The GoPro Black at 16Mbps is quite noisy, while the Sony AS30 is clean, but also displaying a blueish cast.
    Extra Features
    Winner of the Extra Featured Category - Garmin Virb
    This category is easily earned by the GARMIN VIRB. With a cyclometer, heart rate monitor, GPS, ANT+™ wireless control (a wide range of remote and input possibilities), accelerometer, barometer, and a “skiing” mode that is a huge benefit to action sports enthusiasts, this camera is packed with features. In Skiiing mode, the camera knows when you’re engaged in your activity or not. It will stop recording when you’ve landed, stopped moving, etc. Unfortunately for skydivers, the camera senses aircraft movement as “sporting movement so in this mode, it will record the climb to altitude. For mountain-cyclists, this is a great feature. However, it’s also a battery-eater. Sony AS100 and GoPro 3+ also offer a plethora of features that advanced users will appreciate, such as higher framerates, controllable scenes, FOV adjustments, 24p, and other video-related features. Both Sony AS100 and ReplayXD Mini offer Timecode for multiple camera sync, logging, or reference video.
    Professional Codecs/Bitrates
    Winner of the Professional Codecs/Bitrates Category - Sony AS100V
    Both Sony AS100V and the GoPro 3+(Black) offer users higher bitrates and professional codecs for critical functions that will benefit the editing process during post production. Only these two cameras offer these features and although the unique features go beyond the scope of this review, I feel it’s worth of demonstrating what the differences look like. Not all video editing systems can manage these codecs. Professional video software has the necessary decoders yet even casual users can find free decoders on the GoPro and Sony websites. Apple FinalCut has issues with both the XAVC and Cineform codecs without downloading the decoder but again, every pro-level application can decode/read files generated by these cameras.
    Why would one want a higher bitrate, more robust codec? If color correction or compositing are to be employed to process the footage captured by these action cameras, it’s a good idea to have as much information in the file as possible. A higher bitrate provides more “bits” that the NLE can push around, and still retain quality.

    Watch the Codec Test Video This image is raw, no processes added. Keep in mind that when shooting high bitrates the camera is shooting flat, no internal color processing. In the upper right is a GoPro Black shooting standard bitrate. In the lower left, I’ve set the Sony AS 30 to “Neutral” so that there is no color processing. Pay attention to detail rather than color range. This is an overcast day, so there is no blue in the sky. In the next image, I’ll oversaturate and over luminate the image to better demonstrate how far the footage can be processed without falling apart.
    Here, an HSL filter has been applied. Note that the Sony AS100V in the upper left, and the GoPro 3+ in the lower right, best hold together. As subjective as this conversation is, most would agree that the AS100V at 50Mbps holds together better than its counterparts, although the GoPro 3+ at 35Mbps is very impressive. This is a very important consideration for professional users.
    To access high bitrates with the Sony AS100V action camera, a 64GB SDXC card is required. Smaller cards use the FAT format while the larger 64GB card uses EXFAT. EXFAT is necessary to access the PRO mode in the AS100V. The manual does not clearly state this, so beware. It actually took two calls to Sony technical support to realize this. Their own technical support team didn’t know the answer, probably due to the newness of the camera model.
    See the 4K video for more content and comparison.
    In Summary
    All in all, each of the action camera/POV camera products tested in this shootout did very, very, well and far exceeded the quality of cameras only one generation past. This shootout truly came down to a select few cameras though, and any one of the top five are excellent choices depending on requirements for form factor, image quality, post-production requirements, and high framerates.
    Not unexpectedly, the scoring fell very close to the price points of the cameras. Only the ReplayXD Mini was the surprise. Ultimately, it came down to a few things, all of them feature-related as opposed to picture quality related. Truly, there are so many offerings overall, it’s impossible to suggest that any one camera is significantly better than the others for overall use. My personal preferences come down to the Sony AS100V, it’s been called the “GoPro-killer” by many reviewers, but there is a reason everyone compares themselves to GoPro cameras; GoPro is a damn fine product. I don’t care for the GoPro manufacturer mounts, and mount stability is a very large factor in action sports, motor sports, and high-impact situations. The Garmin VIRB took me by surprise; the camera is the heaviest of the lot and has a terrible mount. It would be a terrific camera for most users if the mount was as stable as the camera itself. It truly feels like manufacturers pay almost no attention to the stability of the mounting system, and it’s for this reason that I didn’t use most of the manufacturer mounts (I was doing them a favor while also watching out for my own safety).
    Mounts aside, battery life aside, the VIRB is an exciting newcomer to the mix of cameras. Midland’s new XTC 400 really threw me for a loop, as the camera feels/looks cheap. Again, they have a horrid mount that is even more flimsy than GoPro’s mount. Yet the picture quality, price point, and ease of use make the Midland a wonderful choice for the budget-conscious sport shooter. Finally, Liquid’s EGO really is a delight. Yeah, it’s a pain in the ass to use when in the water housing, and it has a mount identical to GoPro, but it looks like a Minion. How can one just simply not LOVE a Minion? The record time makes this an all-day camera and given that it shares mount points with GoPro, a whole world of mounts are available for this fun little camera at the lowest price point in the mix (it barely made the review criteria).
    Final Standings:
    Sony AS100 74 GoPro Hero 3+ 60 ReplayXD Mini 1080 58 Sony AS30 53 Garmin VIRB 52.5 GoPro 3 Black 51 Drift Ghost S 49 JVC Adixxion 45 Midland XTC400 41 Liquid Ego 34 Polaroid XS100 34 All The Test Videos:
    Motocycle / Road
    Motocycle / Road
    Underwater Snorkel
    Underwater Snorkel II
    Underwater Snorkel III Wingsuit Overhead
    Wingsuit Exit
    Zipline II
    Bobsled Slow Motion
    Codec Test
    Low Light
    This Week in Photo    
    1st Runner Up
    GoPro Hero 3+

    More Information
    Sony AS100

    More Information 2nd Runner Up
    Replay XD Mini

    More Information    
    New Action Camera Releases
    - Sony HDR-AZ1VR (Release Date: October 2014)

    - GoPro Hero 4 (Release Date: October 2014)
    About The Author

    Douglas Spotted Eagle (D29060) is a videographer/producer living between the world of professional production and skydiving. With more than 5000 skydives and 300 film/television productions, he loves playing with cameras and things that go fast. He is the managing producer and instructional designer at VASST, who will be releasing “ActionCam ClipFix,” an NLE plugin product designed for POV camera shooters. Thanks to Max at Mystic Mountain, John/Karl/Steve/Kenn/Ziggy at Skydive Elsinore, Pepper at Jamaica Snorkel, the Arizona Highway Patrol, Dropzone.com, Adam, Roger, and Nashie who helped make this review happen as smoothly has herding lenses can be. No animals alive or simulated were harmed in the production of this shootout/review.

    By admin, in Gear,

    Z1 SL-14 Helmet Released by Parasport Italy

    Parasport Italy recently released the latest addition to their gear products with the announcement of the Z1 SL-14 helmet. The Z1 SL-14 is the first of the company's products to use the much anticipated Skylight visor. One of the new features with the Skylight visor is the ability to rotate the flip-up visor to a point whereby it will go unseen, ensuring that it does not disturb your peripheral vision under canopy. The visor is made of injection molded polycarbonate and is both anti-scratch and anti-fog treated. Parasport Italy also put focus on the ease of use, and the Skylight visor has been made to operate easily with one hand, even while wearing gloves. The positive response to the previous Z1 helmet regarding the visor locking system has meant that while enhanced upon, the same concept is used for the Z1 SL-14.
    A wider face opening allows for enhanced peripheral vision, a clear field of view whereby the helmet does not distract, and makes for easier sight of the handles, as well as a better awareness of the environment.
    There have been numerous improvements made to the shell of the Z1, ensuring a stronger, more durable helmet, while at the same time focusing on comfort. The manufacturing process involved injection molding with high impact ABS, like that used in the building of motorcycle helmets. The method by which this injection molding takes place, ensures that the products are consistent and well built. The helmet also comes with an adjustable airtight collar which is made from soft anallergic polyester. A removable variable density liner ensures that the Z1 gives a comfortable fit, while also allowing one to easily set the size just by changing the liner. The collar system has been redesigned for a more comfortable fit than previous models, with more padding around the back of the neck. Similar enhancements have been made on the liner which has been redesigned to ensure even better comfort. There has also been an improvement with the airflow management, which the liner's new design helps aid in.
    A lot of focus was placed on consumer and industry feedback with the production of the Z1 SL-14. Such feedback is what brought the design of the Z1 away from the rear placed ratchet collar system that was found on the previous model. The new latching system makes it possible to close the collar around your neck and secure the helmet with the chinstrap buckle in a single movement. The chinstrap is adjustable to adapt the collar to the different shapes and sizes. Adjustment is needed just once (as shown on the drawing), after that securing the Z1 SL-14 is easy as pulling the chinstrap and closing the clip: no further adjustment needed.
    The helmet is designed to be light and aerodynamic, while still ensuring that it is of the highest quality and strength.
    Technical Specifications
    Integrated polycarbonate flip-up visor
    Unique practical and affordable visor mechanism
    Anti-fog, anti-scratch, sturdy replaceable visor
    Airtight collar, combined with safety chinstrap
    Interchangeable liner (can be washed in the washing machine!)
    Pouches on both ears to accommodate audibles
    Size is set by the liner. Available sizes are S, M, L, XL and XXL
    Available with IAS option to install the Skytronic GFX, the NeoXs or compatible audibles
    Available separately the beautiful protecting helmet bag

    By admin, in Gear,

    Petra Project Episode II: Looking for Leia

    Leia is born from a simple idea: bringing the Petra technology to the open market!
    After bringing Petra to the CP competition scene three years ago, we have had many more orders than we could reasonably deal with. Everyone wanted one! But as I was going through the infamous ‘list’, I realized that about half were not the original target market of Petra. People were asking for bigger lines, insisted on a ZP version¹... They wanted the fun of it but were not planning to compete.
    It became quite obvious we would have to go back to the (computer aided) drawing board to infuse some of the Petra DNA into a more accessible canopy and create Petra’s little sister.
    She would have to fit in a small Freefly container and be jumpable every day and so we could see her first curves appearing:
    No hassle
    Good openings She also needed to keep Petra’s epic flight characteristics such as a high roll rate, a very long dive, high harness sensitivity and the widest speed range ever covered by a parachute (Petra can fly with a tandem or a wingsuit without trims). The picture was getting clearer:
    High ellipticity
    Steep trim
    Compact aspect ratio


    1. Bridget
    We first decided on a 7 cell format and we couldn’t wait to learn more so we cut two cells out of a big Petra. Bridget was born. This was a fun experiment but it wasn’t quite right. The aspect ratio was too small, the toggle range was weird and the flare wasn’t powerful enough.
    Why Bridget?
    In a nutshell, this prototype was a little frumpy looking, but still kinda hot! Her low aspect ratio gave her some luscious curves. And while we love curves, we reckon a sleeker wing might suit our purpose better for this project!

    2. Candy
    We gave it more thought (and more computer simulations) and used our secret recipe… a mix of science, beer, experience, overheating computers, head scratching, experiments, overheating sewing machines and beer. And finally went back to the dropzone with a much better design. We gave it a more reasonable aspect ratio and ditched the Mini Ribs³ that appeared useless on this type of design. She was awesome and the test jumpers were looking for excuses to keep jumping her. When they couldn’t find any more, they started fighting to get her in their personal rigs. And so she started to go around... a lot! We thought that was a good sign.

    She was truly flying like Petra so we thought about calling her Petra Lite but she deserved better than being her little sister forever. She needed a personality of her own to grow big in this world. We called her Candy, for her acid drop colors and sweeeeet openings.
    3. Leia
    We knew we were onto something so we kept looking for things to improve. We changed the lineset, refined the panel designs, put more beers into it and made sure every detail was worth her surname...
    Here is Leia...

    We invited TJ Landgren, Katie Hansen and Nick Batsch to try it while they were visiting NZ this summer and they all loved it. Nick did an impressive 175m swoop on it on his first jump (nil wind and at sea level) confirming the awesome potential of the canopy! He didn’t say much straight away but his smile left us confident that she is better than any other ZP competition wing on the market.
    We said everyday, not everyone...
    Leia is a very high-end design targeted to the most experienced jumpers out there. The way we see it, Leia will NOT be the best choice for:
    First Crossbraced canopy
    Distance world record
    Wingsuiting But will be an awesome wing for:
    Awesome swoopers who want to fun jump, work and play with their canopy, and swoop the shit out of it too – competitively or not!
    Zone accuracy (currently tested by some of the very best pilots)
    Everyday canopy that flies similar to Petra to stay current while working
    Competition wing
    Mountain flying
    Something you guys will come up with.

    Cells: 7
    Chambers: 21
    Structure: Crossbraced
    Tip chord to Center chord ratio: 0.4 (!)
    Aspect ratio: 2.65
    Wing loading: 2.2 to ?
    Features: No stabilizers, Integrated slider stops, Powerband², No Mini-Ribs³
    Deployment system: Normal slider, RDS available on demand
    Materials: ZP (maybe a hybrid version later on)
    Lines: Black HMA 400 (maybe HMA 600 later on)
    Sizes: Any
    Price: The price hasn’t been decided yet but it will be around 3100USD.
    Availability: Leia is our current project and we are proud to share it with you but this is not an available product at the moment. We hope it will become available sometime in 2014 or 2015.
    1. Petra is only made out of Sail fabric. This is a generic and misleading name for a range of Polyurethane coated nylons developed for paragliders. It gives more rigidity and a better controlled shape to the competition canopies thanks to its low stretch characteristics. Unfortunately, it also packs bigger and doesn’t last as long as our good old ZP (Silicone coated nylon) so it needs to be treated with much more precaution. To learn more about how to increase its life span, contact Julien@nzaerosports.com.
    2. We call the Powerband the black part on the top leading edge. It is visible on Petra and makes it easily recognizable. It helps defining and controlling the shape better in this critical area where lift is created making a real difference in performance.
    3. The Mini-Ribs are partial ribs covering about 20% of the chord starting from the tail. They allow better shape control on the tail and a sharper trailing edge decreasing the wake turbulence and form drag. This is a design feature commonly found on paragliders and on some wingsuits but Petra is the first parachute using it.
    Keep checking this space or our Facebook page to check the new stuff we are working on!

    By admin, in Gear,

    S-Fly Introduce 'The Hawk' Wingsuit

    With the Hawk, the S-Fly team were looking to design a suit that maximizes manoeuvrability and agility in the skydiving and BASE environments.
    By maximising the pilot’s abilities to perform rolls, flips and precision carving from both back and belly with smooth transitions, the Hawk allows the pilot to creatively express their flying style.
    While extremely maneuverable, the Hawk still provides the lift and power while flying on your back or belly, to allow dynamic acrobatics without dropping out or sacrificing excess altitude. The result is a really fun, very fast and powerful freestyle acrobatic wingsuit designed for intermediate to expert level pilots.

    The Design
    The high performance and maneuverability of the Hawk was achieved by building upon the already successful Verso platform. S-Fly increased the surface area of the arms, extended the leg wing, adjusted the profile and sweep of the arm wing to maximise speed.
    Additionally, in classic S-Fly style, there are no grippers allowing free wrist and hand movement.
    The inflation and pressurization of the Hawk is where the guys at S-Fly feel the suit really stands apart in the modern wingsuit market. The suit remains inflated while transitioning through all maneuvers and positions, but with a smooth unhindered feel. This smooth and consistent inflation of the Hawk is powered by the specific design and placement of the inlets and the four independently fed elements of the wing.

    The Airfoil
    The Hawk’s arm and leg wings are fully pressurized in flight. The two arm wings are fed by wide mesh valves located along its leading edge. The leg wing is fed by three pronounced and reinforced inlets located on the front and three on the back. This system ensures optimum distribution and pressurization while minimizing drag in all positions.
    The “body” is comprised of a single cell that runs from the chest, down the circumference of the legs and to the ankles. The “body" is an evolution of the original mono-wing design from S-Fly. Through the extensive testing phase, it was found that this design allows unique and total freedom to move the pelvis, giving the pilot unencumbered and precise lateral movement without compromising performance. Through the mesh valves located on the arms, and two inlets placed high on the back, the “body” is effectively inflated while flying on the back and belly.

    The Hawk is constructed with Parapack light which is much lighter, has the same aerodynamic properties and is equally durable to normal parapack. The suit is surprisingly light and strong the fabric feels and how much faster it feels in comparison to other fabrics used during the prototype phase.

    *Quick Zip Cut arm wing release system

    Textured BASE soles

    Chest zipper port for camera access

    Fast leg zipper opening strap

    By admin, in Gear,